Hiroshi Yamamoto
- Producer
- 10 on MovieCove · 14 credits in all
What are Hiroshi Yamamoto's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 3
A split, not a type: Grounded 4 · Stylized 1 · Heightened 2
Gentle 2 · Charged 3 · Intense 2
Steady 6 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2
Slow burn 4 · Even-paced 2 · Relentless 1
Casual 3 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2
Resolved 5 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hiroshi Yamamoto's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).
Subscription and free streaming for Hiroshi Yamamoto's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 10 with a MovieCove page.
To the Ends of the Earth(2019)
Midcredits score: 59th percentile of all films
My Retirement, My Life (not in the MovieCove catalog yet)(2018)
Journey to the Shore(2015)
Midcredits score: 54th percentile of all films
Sweet Bean(2015)
Midcredits score: 93rd percentile of all films
Pulse(2001)
Midcredits score: 70th percentile of all films
Whore Angels (not in the MovieCove catalog yet)(2000)
The City of Lost Souls(2000)
Midcredits score: 53rd percentile of all films
Madadayo(1993)
Midcredits score: 89th percentile of all films
O-Roshiya-koku suimu-tan(1992)
Midcredits score: 67th percentile of all films
8 Man - For All Lonely Nights (not in the MovieCove catalog yet)(1992)
Sumo Do, Sumo Don't(1992)
Midcredits score: 85th percentile of all films
Fancy Dance(1989)
Midcredits score: 71st percentile of all films
Luminous Woman (not in the MovieCove catalog yet)(1987)
Irezumi(1982)
Midcredits score: 63rd percentile of all films
Career shape
A full career of 11 titles from 1987 to 2019.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Hiroshi Yamamoto's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 10; across their 7 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up3
- 50th to 74th7
Shape of the crowd
None of their 10 titles divides audiences: 8 are Crowd Pleasers.
- Crowd Pleaser8
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hiroshi Yamamoto work with?
People who share at least 2 of Hiroshi Yamamoto's MovieCove titles, grouped by what they did on them; Yasuyoshi Tokuma shares the most, 5.
Directors
- Masayuki SuôShared titles: Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 2 shared titles with Masayuki Suô
Actors
- Akira EmotoShared titles: The City of Lost Souls (2000), Sumo Do, Sumo Don't (1992)See all 2 shared titles with Akira Emoto
- Ren ŌsugiShared titles: The City of Lost Souls (2000), Fancy Dance (1989)See all 2 shared titles with Ren Ōsugi
- Hiromasa TaguchiShared titles: Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 2 shared titles with Hiromasa Taguchi
- Masahiro MotokiShared titles: Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 2 shared titles with Masahiro Motoki
Composers and editors
- Jun'ichi KikuchiShared titles: Pulse (2001), Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 3 shared titles with Jun'ichi Kikuchi
- Yoshikazu SuoShared titles: Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 2 shared titles with Yoshikazu Suo
Producers
- Yasuyoshi TokumaShared titles: Pulse (2001), The City of Lost Souls (2000), Madadayo (1993), O-Roshiya-koku suimu-tan (1992), Irezumi (1982)See all 5 shared titles with Yasuyoshi Tokuma
- Tsutomu TsuchikawaShared titles: The City of Lost Souls (2000), O-Roshiya-koku suimu-tan (1992)See all 2 shared titles with Tsutomu Tsuchikawa
- Shôji MasuiShared titles: Sumo Do, Sumo Don't (1992), Fancy Dance (1989)See all 2 shared titles with Shôji Masui