Yû Yamamoto

What are Yû Yamamoto's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yû Yamamoto's films?

As of October 10, 2026, none of Yû Yamamoto's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Yû Yamamoto's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Mobile Suit Gundam III: Encounters in Space(1982)

  Writer

  Midcredits score: 95th percentile of all films95^th
• 

  Mobile Suit Gundam I(1981)

  Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Mobile Suit Gundam II: Soldiers of Sorrow(1981)

  Writer

  Midcredits score: 86th percentile of all films86^th

Career shape

Across a limited sample of 3 MovieCove titles from 1981 to 1982.

Highest rated

Mobile Suit Gundam III: Encounters in Space (1982)

Midcredits 95^th

Most popular right now

Mobile Suit Gundam I (1981)

How do Yû Yamamoto's films land?

Their typical MovieCove film has a Midcredits score in the 86^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 83^rd percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

12

• Universally Loved1
• Crowd Pleaser2

Most loved · writer

Mobile Suit Gundam III: Encounters in Space (1982)

Midcredits 95^th · 83% liked

Reviewers score the plot and story 63/100 in their films, across 3 reviewed titles; fans 70, detractors 30. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yû Yamamoto work with?

People who share at least 2 of Yû Yamamoto's MovieCove titles, grouped by what they did on them; Yoshiyuki Tomino shares the most, 3.