Tadashi Yamauchi
Composer · Died December 20, 1980, aged 53 · Tokyo, Tokyo Prefecture, Japan
- August 22, 1927
- December 20, 1980 (aged 53)
- Tokyo, Tokyo Prefecture, Japan
- Composer
- 3 on MovieCove · 25 credits in all
What are Tadashi Yamauchi's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
A split, not a type: Grounded 1 · Stylized 0 · Heightened 2
A split, not a type: Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tadashi Yamauchi's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Tadashi Yamauchi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 3 with a MovieCove page.
The primary colored butterfly was watching - the smell of death (not in the MovieCove catalog yet)(1978)
The Tempō Outlaws of the Marsh (not in the MovieCove catalog yet)(1976)
The Hot Little Girl (not in the MovieCove catalog yet)(1970)
The House of Wooden Blocks (not in the MovieCove catalog yet)(1968)
The Sex Check (not in the MovieCove catalog yet)(1968)
The Great Villains (not in the MovieCove catalog yet)(1968)
The Silent Gun (not in the MovieCove catalog yet)(1967)
Quick-Draw Dog (not in the MovieCove catalog yet)(1967)
Two Wives (not in the MovieCove catalog yet)(1967)
Gamera vs. Gyaos(1967)
Midcredits score: 26th percentile of all films
Gammera the Invincible (not in the MovieCove catalog yet)(1966)
Stray Dog (not in the MovieCove catalog yet)(1966)
The School of Spies (not in the MovieCove catalog yet)(1966)
Convicted Woman (not in the MovieCove catalog yet)(1966)
Warera ningen kazoku (not in the MovieCove catalog yet)(1966)
Midcredits score: 25th percentile of all films
Seisaku's Wife (not in the MovieCove catalog yet)(1965)
The Dedicated Gunman (not in the MovieCove catalog yet)(1965)
Superexpress (not in the MovieCove catalog yet)(1964)
Swastika(1964)
Midcredits score: 71st percentile of all films
Love and Greed (not in the MovieCove catalog yet)(1964)
Hot Spring Policeman (not in the MovieCove catalog yet)(1963)
雪の降る街に (not in the MovieCove catalog yet)(1962)
Omoni to shounen (not in the MovieCove catalog yet)(1958)
Gamera 4: Truth (not in the MovieCove catalog yet)
Career shape
A full career of 25 titles, 24 of them dated from 1958 to 1978.
How do Tadashi Yamauchi's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the sound and music 58/100 in their films, across 3 reviewed titles; fans 64, detractors 43. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tadashi Yamauchi work with?
People who share at least 2 of Tadashi Yamauchi's MovieCove titles, grouped by what they did on them; Tatsuji Nakashizu shares the most, 3.
Directors
- Noriaki YuasaShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Noriaki Yuasa
Writers
- Niisan TakahashiShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Niisan Takahashi
Actors
- Kenji ŌyamaShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Kenji Ōyama
- Yoshirô KitaharaShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Yoshirô Kitahara
- Eiji FunakoshiShared titles: Gamera: The Giant Monster (1965), Swastika (1964)See all 2 shared titles with Eiji Funakoshi
Editors
- Tatsuji NakashizuShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965), Swastika (1964)See all 3 shared titles with Tatsuji Nakashizu
Producers
- Hidemasa NagataShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Hidemasa Nagata
- Sandy FrankShared titles: Gamera vs. Gyaos (1967), Gamera: The Giant Monster (1965)See all 2 shared titles with Sandy Frank
- Yonejirô SaitôShared titles: Gamera: The Giant Monster (1965), Swastika (1964)See all 2 shared titles with Yonejirô Saitô