- Producer and writer
- 6 on MovieCove · 14 credits in all
What are William Robert Yates' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 4 · Serious 2 · Dark 0
Grounded 5 · Stylized 1 · Heightened 0
Gentle 2 · Charged 3 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 1
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Robert Yates' films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service, on Disney+ (2).
Subscription and free streaming for William Robert Yates' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 6 with a MovieCove page.
Midcredits score: 53rd percentile of all films
Disney's Halloween Treat(1984)
Midcredits score: 94th percentile of all films
The Adventures of Pollyanna (not in the MovieCove catalog yet)(1982)

Tales of the Apple Dumpling Gang (not in the MovieCove catalog yet)(1982)

Amy(1981)
Midcredits score: 64th percentile of all films
Midcredits score: 36th percentile of all films
The Runaways (not in the MovieCove catalog yet)(1978)

The Hunted Lady (not in the MovieCove catalog yet)(1977)

The Force of Evil(1977)
Midcredits score: 56th percentile of all films
Diamonds on Wheels (not in the MovieCove catalog yet)(1973)

Chandar, the Black Leopard of Ceylon (not in the MovieCove catalog yet)(1972)

The Streets of San Francisco (not in the MovieCove catalog yet)(1972)
Midcredits score: 38th percentile of all films (provisional, few ratings)
Alexander The Great (not in the MovieCove catalog yet)(1968)
Career shape
A full career of 14 titles from 1968 to 1992.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William Robert Yates' films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th2
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser3
- Mixed1
Reviewers score the plot and story 40/100 in their films, across 4 reviewed titles; fans 54, detractors 24. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Robert Yates work with?
People who share at least 2 of William Robert Yates' MovieCove titles, grouped by what they did on them; Leonard J. South shares the most, 2.
Cinematographers
- Leonard J. SouthShared titles: Amy (1981), The Ghosts of Buxley Hall (1980)See all 2 shared titles with Leonard J. South
Producers
- Jerome CourtlandShared titles: Amy (1981), The Ghosts of Buxley Hall (1980)See all 2 shared titles with Jerome Courtland

Mixed roles
- Winston HiblerShared titles: Disney's Halloween Treat (1984), The Boy Who Stole the Elephant (1970)See all 2 shared titles with Winston Hibler
