Skip to content
MovieCove

Simone Zampagni

Cinematographer

Works as
Cinematographer
Titles
5 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 30% in 30 days

What are Simone Zampagni's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
23%
Self
21%
Society
18%
Bonds
11%
Power
11%
Ideas
9%
Morality
7%
Community2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 2 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 1 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Contemplative
3
Tense
1
Dread
1
Warm
1
Other
2

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Simone Zampagni's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Simone Zampagni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 5 with a MovieCove page.

  • Everyone at My Place for New Year's Eve (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • La casa di Ninetta (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Martedì e venerdì (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Buon compleanno Massimo (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • Napoli, l'aldilà di tutto (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Leonora addio(2022)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • Ghiaccio (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Quasi ora (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Cobra non è (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • Until Judge Do Us Part (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Odio l'estate (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • La mia idea di arte (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Fuori c'è un mondo (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Finally Married (not in the MovieCove catalog yet)(2018)

    Cinematographer

  • Rainbow: A Private Affair(2017)

    Cinematographer

    Midcredits score: 44th percentile of all films

  • Late Winter Rain (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Un Nuovo Giorno (not in the MovieCove catalog yet)(2016)

    Cinematographer

  • Nomi e cognomi (not in the MovieCove catalog yet)(2015)

    Cinematographer

  • Soldato Semplice (not in the MovieCove catalog yet)(2015)

    Cinematographer

  • Wondrous Boccaccio(2015)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • Caesar Must Die(2012)

    Cinematographer

    Midcredits score: 89th percentile of all films

  • Corleone(2007)

    Show Cinematographer

    Midcredits score: 97th percentile of all shows

  • Come Into the Light (not in the MovieCove catalog yet)(2005)

    First Assistant Camera

  • People of Rome (not in the MovieCove catalog yet)(2003)

    Assistant Camera

  • Volesse il cielo! (not in the MovieCove catalog yet)(2002)

    Assistant Camera

  • The Sky Is Falling (not in the MovieCove catalog yet)(2000)

    Assistant Camera

Career shape

A full career of 25 titles from 2000 to 2025.

Biggest box office

Caesar Must Die (2012)

$1.6M worldwide

Highest rated

Corleone (2007)

Midcredits 97th

By role

only this rolewith another role
Cinematography21 of 25: 21 only cinematography, 0 with another roleOther crew4 of 25: 4 only other crew, 0 with another role

By decade

2000s4 · crew2010s12 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Simone Zampagni's films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 4

Approval · how many liked their films

42ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

71stpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 3 are Mixed.

  • Universally Loved1
  • Crowd Pleaser1
  • Mixed3

Most loved · cinematographer

Corleone (2007)

Midcredits 97th · 93% liked

Reviewers score the cinematography 73/100 in their films, across 3 reviewed titles; fans 82, detractors 67. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Simone Zampagni work with?

People who share at least 2 of Simone Zampagni's MovieCove titles, grouped by what they did on them; Paolo Taviani shares the most, 4.

Directors

Composers and editors

Producers