Gys Zevenbergen
- Editor
- 9 on MovieCove · 26 credits in all
What are Gys Zevenbergen's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 4 · Serious 1 · Dark 2
Grounded 6 · Stylized 1 · Heightened 0
Gentle 4 · Charged 3 · Intense 0
Steady 6 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 0
Slow burn 7 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 2
Resolved 2 · Open-ended 5 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gys Zevenbergen's films?
As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gys Zevenbergen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 9 with a MovieCove page.

The Coriolis Effect (not in the MovieCove catalog yet)(2025)

Hokwerda's Child (not in the MovieCove catalog yet)(2024)

I Am the River, the River Is Me (not in the MovieCove catalog yet)(2024)

Rhizome (not in the MovieCove catalog yet)(2023)

White Balls on Walls(2022)
Midcredits score: 74th percentile of all films
Look What You Made Me Do (not in the MovieCove catalog yet)(2022)

Modern Love Amsterdam(2022)
Midcredits score: 22nd percentile of all shows
Turn Your Body to the Sun (not in the MovieCove catalog yet)(2021)

Descending the Mountain(2021)
Midcredits score: 72nd percentile of all films
Here We Move Here We Groove (not in the MovieCove catalog yet)(2020)

Sheep Hero(2019)
Midcredits score: 69th percentile of all films
My Rembrandt(2019)
Midcredits score: 80th percentile of all films
The Greenaway Alphabet (not in the MovieCove catalog yet)(2018)

Disappearance(2017)
Midcredits score: 62nd percentile of all films
Midcredits score: 80th percentile of all films (provisional, few ratings)How to Meet a Mermaid (not in the MovieCove catalog yet)(2016)
Spring Forward (not in the MovieCove catalog yet)(2016)

My White Shirt (not in the MovieCove catalog yet)(2015)
Midcredits score: 94th percentile of all filmsHet Nieuwe Rijksmuseum, delen 3 & 4 (not in the MovieCove catalog yet)(2013)

Kauwboy (not in the MovieCove catalog yet)(2012)

Bardsongs(2010)
Midcredits score: 93rd percentile of all films (provisional, few ratings)The New Rijksmuseum (not in the MovieCove catalog yet)(2008)

When Borat Came to Town (not in the MovieCove catalog yet)(2008)

Drawn Out Love (not in the MovieCove catalog yet)(2007)

Ik wil nooit beroemd worden (not in the MovieCove catalog yet)(2006)
Career shape
A full career of 22 titles from 2006 to 2025.

Biggest box office
The New Rijksmuseum - The Film (2014)

Highest rated
My Rembrandt (2019)

Most popular right now
Modern Love Amsterdam (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Gys Zevenbergen's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up4
- 50th to 74th4
- Below 25th1
Shape of the crowd
7 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser7
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gys Zevenbergen work with?
People who share at least 2 of Gys Zevenbergen's MovieCove titles, grouped by what they did on them; Boudewijn Koole shares the most, 4.
Directors
- Boudewijn KooleShared titles: Modern Love Amsterdam (2022), My Rembrandt (2019), Back to the Taj Mahal Hotel (2017), Disappearance (2017)See all 4 shared titles with Boudewijn Koole

- Oeke HoogendijkShared titles: My Rembrandt (2019), The New Rijksmuseum - The Film (2014)See all 2 shared titles with Oeke Hoogendijk

Composers and cinematographers
- Melle van EssenShared titles: Modern Love Amsterdam (2022), Disappearance (2017), Bardsongs (2010)See all 3 shared titles with Melle van Essen
- Sander SnoepShared titles: White Balls on Walls (2022), My Rembrandt (2019), The New Rijksmuseum - The Film (2014)See all 3 shared titles with Sander Snoep
- Alex SimuShared titles: My Rembrandt (2019), Back to the Taj Mahal Hotel (2017), Disappearance (2017)See all 3 shared titles with Alex Simu
Producers
- Elize KerseboomShared titles: White Balls on Walls (2022), My Rembrandt (2019)See all 2 shared titles with Elize Kerseboom
- Frank van den EngelShared titles: White Balls on Walls (2022), My Rembrandt (2019)See all 2 shared titles with Frank van den Engel