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Laura Ziskin

Laura Ziskin

Producer, also writer and actor · Died June 12, 2011, aged 61 · Sherman Oaks, California, USA

Primetime Emmy nominee · 1 other major award body

Laura Ellen Ziskin (March 3, 1950–June 12, 2011) was an American film producer. She was the executive producer of Pretty Woman (1990) and producer of Spider-Man (2002), Spider-Man 2 (2004), Spider-Man 3 (2007), and The Amazing Spider-Man (2012; posthumous credit). She was the first woman to produce the Academy Awards telecast alone, producing the 74th Academy Awards (2002) and the 79th Academy Awards (2007). Description above from the Wikipedia article Laura Ziskin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
March 3, 1950
Died
June 12, 2011 (aged 61)
From
Sherman Oaks, California, USA
Works as
Producer, also writer and actor
Titles
21 on MovieCove · 24 credits in all
TMDB popularity, last 155 days to Oct 26Down 12% in 30 days

What are Laura Ziskin's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 8 · Dark 6

A split, not a type: Grounded 13 · Stylized 4 · Heightened 6

Gentle 7 · Charged 8 · Intense 8

Steady 11 · Shifting 11 · Whiplash 1

A split, not a type: Straight-faced 13 · Some laughs 8 · Funny 2

A split, not a type: Slow burn 12 · Even-paced 7 · Relentless 4

A split, not a type: Casual 13 · Engaged 8 · Full focus 2

A split, not a type: Easy watch 10 · Affecting 8 · Heavy 5

Resolved 21 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
13
Warm
7
Thrilling
6
Contemplative
6
Other
22

How their films end · 4 with a twist

  • Happy7
  • Bittersweet11
  • Tragic2
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laura Ziskin's films?

As of October 24, 2026, 14 of their 21 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Laura Ziskin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 21 with a MovieCove page; 14 appearances as themselves are hidden until asked for.

  • The Butler(2013)

    Producer

    Midcredits score: 86th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Spider-Man 3(2007)

    Producer

    Midcredits score: 60th percentile of all films
  • Stealth(2005)

    Producer

    Midcredits score: 15th percentile of all films
  • Making the Amazing(2004)

    Producer · as Self

    Midcredits score: 75th percentile of all films
  • Spider-Man 2(2004)

    Producer

    Midcredits score: 95th percentile of all films
  • Nikki and Nora (not in the MovieCove catalog yet)(2004)

    Executive Producer

  • Tarzan (not in the MovieCove catalog yet)(2003)

    Show 8 episodes · Executive Producer

  • Spider-Man(2002)

    Producer

    Midcredits score: 95th percentile of all films
  • Dinner with Friends(2001)

    Executive Producer

    Midcredits score: 47th percentile of all films
  • Fail Safe(2000)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • As Good as It Gets(1997)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • To Die For(1995)

    Producer

    Midcredits score: 78th percentile of all films
  • Hero(1992)

    Producer · Story

    Midcredits score: 60th percentile of all films
  • The Doctor(1991)

    Producer

    Midcredits score: 76th percentile of all films
  • What About Bob?(1991)

    Producer · Story

    Midcredits score: 81st percentile of all films
  • Pretty Woman(1990)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 45th percentile of all films
  • The Rescue(1988)

    Producer

    Midcredits score: 36th percentile of all films
  • D.O.A.(1988)

    Producer

    Midcredits score: 47th percentile of all films
  • No Way Out(1987)

    Producer

    Midcredits score: 85th percentile of all films
  • Murphy's Romance(1985)

    Producer

    Midcredits score: 77th percentile of all films
  • Eyes of Laura Mars(1978)

    Associate Producer

    Midcredits score: 45th percentile of all films
  • The Oscars (not in the MovieCove catalog yet)(1953)

    Show 23 episodes · Producer

Career shape

A full career of 24 titles from 1953 to 2013.

By role

only this rolewith another role
Writing2 of 24: 0 only writing, 2 with another roleProducing24 of 24: 22 only producing, 2 with another role · typical Midcredits score77th

By decade

1950s1 · crew1970s1 · crew1980s5 · crew1990s6 · crew2000s9 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major awards from 7 major nominations, 2002–2015.

WinNomination
  1. 2015
    • Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Series
  2. 2011
    • Primetime Emmy, nominated · Outstanding Nonfiction Special
    • +1 other major body · 1 win
      • Producers Guild Award, won
  3. 2007
    • Primetime Emmy, nominated · Outstanding Special Class Program
  4. 2005
    • Producers Guild Award, won
  5. 2002
    • Primetime Emmy, nominated · Outstanding Made for Television Movie
    • Primetime Emmy, nominated · Outstanding Variety, Music or Comedy Special

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Laura Ziskin's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 21; across their 23 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 23

Approval · how many liked their films

72ndpercentile
Typical film, the median of 23

Reach · how many have seen their films

89thpercentile
Typical film, the median of 23

Midcredits score across 21 titles, by percentile

  • 75th and up13
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

11 of their 21 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser11
  • Broadly Agreed4
  • Mixed2

Reviewers score the dialogue 57/100 and the plot and story 47/100 in their films, across 19 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Laura Ziskin's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles31–65 · median 58 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles19–56 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles29–68 · median 52 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles17–41 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles30–66 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Laura Ziskin work with?

People who share at least 2 of Laura Ziskin's MovieCove titles, grouped by what they did on them; Sam Raimi shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles