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Lucia Zucchetti

Lucia Zucchetti

Editor

BAFTA Award winner · Primetime Emmy nominee

Italian-native Lucia Zucchetti is a film and television editor who began her career cutting Lynne Ramsay's award winning short films and early features. Since then, Lucia has continued to team up with a wide range of critically acclaimed directors including Stephen Frears, John Crowley, Lone Scherfig, Clio Barnard, and Jay Roach. While collaborating on multiple pictures with Frears, Lucia received a BAFTA nomination for her work on the Oscar-nominated film The Queen. In 2007, Lucia edited John Crowley's feature film Boy A, for which she was awarded a BAFTA Award for Best Editing. Years before, Lucia cut Crowley's debut feature film Intermission (Best Irish Film 2003). In the US Lucia teamed up with director Jay Roach on the HBO film Game Change, starring Julianne Moore and Woody Harrelson. The film was nominated for multiple Primetime Emmys, including Lucia's own nomination for Outstanding Single-Camera Picture Editing for a Miniseries or a Movie. Lucia lives and works in London. June, 2023

Read more

Biography from IMDb.

Works as
Editor
Titles
25 on MovieCove · 31 credits in all
TMDB popularity, last 155 days to Oct 26Up 42% in 30 days

What are Lucia Zucchetti's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 8 · Dark 11

A split, not a type: Grounded 13 · Stylized 5 · Heightened 3

Gentle 3 · Charged 15 · Intense 3

Steady 8 · Shifting 11 · Whiplash 2

Straight-faced 15 · Some laughs 5 · Funny 1

Slow burn 15 · Even-paced 5 · Relentless 1

Casual 5 · Engaged 11 · Full focus 5

Easy watch 2 · Affecting 10 · Heavy 9

A split, not a type: Resolved 13 · Open-ended 6 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
17
Tense
11
Contemplative
11
Warm
5
Bittersweet
4
Other
13

How their films end · 2 with a twist

  • Bittersweet14
  • Tragic1
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lucia Zucchetti's films?

As of October 24, 2026, 16 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Lucia Zucchetti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 25 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Midwinter Break(2026)

    Editor

    Midcredits score: 39th percentile of all films
  • Goodbye June(2025)

    Editor

    Midcredits score: 70th percentile of all films
  • The Salt Path(2024)

    Editor

    Midcredits score: 68th percentile of all films
  • One Life(2023)

    Editor

    Midcredits score: 96th percentile of all films
  • The Essex Serpent(2022)

    Show 6 episodes · Editor

    Midcredits score: 20th percentile of all shows
  • Limbo(2020)

    Editor

    Midcredits score: 86th percentile of all films
  • Colette(2018)

    Editor

    Midcredits score: 75th percentile of all films
  • Woman Walks Ahead(2017)

    Editor

    Midcredits score: 67th percentile of all films
  • Their Finest(2016)

    Editor

    Midcredits score: 74th percentile of all films
  • The Crown(2016)

    Show 1 episode · Editor

    Midcredits score: 98th percentile of all shows
  • Midcredits score: 49th percentile of all films
  • Testament of Youth(2014)

    Editor

    Midcredits score: 89th percentile of all films
  • Closed Circuit(2013)

    Editor

    Midcredits score: 42nd percentile of all films
  • Game Change(2012)

    Editor

    Midcredits score: 88th percentile of all films
  • Chéri(2009)

    Editor

    Midcredits score: 47th percentile of all films
  • Boy A(2007)

    Editor

    Midcredits score: 94th percentile of all films
  • The Queen(2006)

    Editor

    Midcredits score: 90th percentile of all films
  • Midcredits score: 78th percentile of all films
  • Midcredits score: 78th percentile of all films
  • The Deal(2003)

    Editor

    Midcredits score: 78th percentile of all films
  • Intermission(2003)

    Editor

    Midcredits score: 73rd percentile of all films
  • Morvern Callar(2002)

    Editor

    Midcredits score: 77th percentile of all films
  • Midcredits score: 68th percentile of all films
  • Long Time Dead(2002)

    Editor

    Midcredits score: 14th percentile of all films
  • The Low Down (not in the MovieCove catalog yet)(2001)

    Editor

  • A Dream of Sicily (not in the MovieCove catalog yet)(2000)

    Editor

  • Ratcatcher(1999)

    Editor

    Midcredits score: 94th percentile of all films
  • Gasman (not in the MovieCove catalog yet)(1998)

    Editor

  • Kill the Day (not in the MovieCove catalog yet)(1996)

    Editor

  • Small Deaths (not in the MovieCove catalog yet)(1996)

    Editor

  • Just A Little Crush (not in the MovieCove catalog yet)(1995)

    Editor

Career shape

A full career of 31 titles from 1995 to 2026.

By role

only this rolewith another role
Editing31 of 31: 31 only editing, 0 with another role · typical Midcredits score75th

By decade

1990s5 · crew2000s12 · crew2010s8 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a BAFTA Award from 3 major nominations, 2007–2012.

WinNomination
  1. 2012
    • Primetime Emmy, nominated · Outstanding Single-Camera Picture Editing for a Miniseries or a Movie
  2. 2008
    • BAFTA Award, won · Best Editing - Fiction/Entertainment
  3. 2007
    • BAFTA Award, nominated · Best Editing

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Lucia Zucchetti's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 23; across their 21 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 21

Approval · how many liked their films

72ndpercentile
Typical film, the median of 21

Reach · how many have seen their films

88thpercentile
Typical film, the median of 21

Midcredits score across 25 titles, by percentile

  • 75th and up13
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

15 of their 25 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser15
  • Broadly Agreed4
  • Mixed2

Reviewers score the pacing 48/100 in their films, across 21 reviewed titles; fans 57, detractors 29. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lucia Zucchetti's work okay for kids?

Across up to 15 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles7–62 · median 42 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles12–60 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity10 titles7–78 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles22–56 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles17–65 · median 36 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lucia Zucchetti work with?

People who share at least 2 of Lucia Zucchetti's MovieCove titles, grouped by what they did on them; Stephen Frears shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers