George Zuckerman
- Writer
- 11 on MovieCove · 17 credits in all
What are George Zuckerman's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
Light 0 · Serious 4 · Dark 7
Grounded 4 · Stylized 6 · Heightened 1
Gentle 0 · Charged 7 · Intense 4
Steady 3 · Shifting 7 · Whiplash 1
Straight-faced 10 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 8 · Relentless 1
Casual 4 · Engaged 7 · Full focus 0
Easy watch 3 · Affecting 4 · Heavy 4
Resolved 10 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet7
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Zuckerman's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for George Zuckerman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 11 with a MovieCove page.
The Tarnished Angels(1957)
Midcredits score: 85th percentile of all films
The Tattered Dress (not in the MovieCove catalog yet)(1957)
The Brass Legend(1956)
Midcredits score: 42nd percentile of all films
Written on the Wind(1956)
Midcredits score: 91st percentile of all films
The Square Jungle (not in the MovieCove catalog yet)(1955)
The Yellow Mountain (not in the MovieCove catalog yet)(1954)
Dawn at Socorro(1954)
Midcredits score: 61st percentile of all films
Taza, Son of Cochise(1954)
Midcredits score: 26th percentile of all films
Ride Clear of Diablo(1954)
Midcredits score: 76th percentile of all films
99 River Street(1953)
Midcredits score: 90th percentile of all films
Iron Man(1951)
Midcredits score: 44th percentile of all films
Under the Gun (not in the MovieCove catalog yet)(1951)
Spy Hunt (not in the MovieCove catalog yet)(1950)
Border Incident(1949)
Midcredits score: 78th percentile of all films
Trapped(1949)
Midcredits score: 51st percentile of all films
Whispering City(1947)
Midcredits score: 35th percentile of all films
La forteresse (not in the MovieCove catalog yet)(1947)
Career shape
A full career of 17 titles from 1947 to 1957.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do George Zuckerman's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th4
Shape of the crowd
None of their 11 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed3
- Mixed1
Reviewers score the dialogue 51/100 and the plot and story 53/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Zuckerman work with?
People who share at least 2 of George Zuckerman's MovieCove titles, grouped by what they did on them; Rock Hudson shares the most, 4.
Directors
- Douglas SirkShared titles: The Tarnished Angels (1957), Written on the Wind (1956), Taza, Son of Cochise (1954)See all 3 shared titles with Douglas Sirk
Actors
- Rock HudsonShared titles: The Tarnished Angels (1957), Written on the Wind (1956), Taza, Son of Cochise (1954), Iron Man (1951)See all 4 shared titles with Rock Hudson
- Dorothy MaloneShared titles: The Tarnished Angels (1957), Written on the Wind (1956)See all 2 shared titles with Dorothy Malone
- Robert J. WilkeShared titles: The Tarnished Angels (1957), Written on the Wind (1956)See all 2 shared titles with Robert J. Wilke
- Robert StackShared titles: The Tarnished Angels (1957), Written on the Wind (1956)See all 2 shared titles with Robert Stack
Composers, cinematographers and editors
- Frank SkinnerShared titles: The Tarnished Angels (1957), Written on the Wind (1956), Dawn at Socorro (1954), Taza, Son of Cochise (1954)See all 4 shared titles with Frank Skinner
- Russell F. SchoengarthShared titles: The Tarnished Angels (1957), Written on the Wind (1956), Iron Man (1951)See all 3 shared titles with Russell F. Schoengarth
- Irving GlassbergShared titles: The Tarnished Angels (1957), Ride Clear of Diablo (1954)See all 2 shared titles with Irving Glassberg
- Russell MettyShared titles: Written on the Wind (1956), Taza, Son of Cochise (1954)See all 2 shared titles with Russell Metty
Producers
- Albert ZugsmithShared titles: The Tarnished Angels (1957), Written on the Wind (1956)See all 2 shared titles with Albert Zugsmith
