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Lucía Álvarez

Lucía Álvarez

Composer

Works as
Composer
Titles
3 on MovieCove · 13 credits in all
TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Lucía Álvarez's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Themes

share of theme weight
Power
52%
Bonds
19%
Self
17%
Morality
12%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

A split, not a type: Gentle 0 · Charged 1 · Intense 2

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Tense
2
Dread
1
Contemplative
1
Bittersweet
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lucía Álvarez's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Lucía Álvarez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 3 with a MovieCove page.

  • The Attempt Dossier(2010)

    Composer

    Midcredits score: 42nd percentile of all films
  • Bedtime Fairy Tales for Crocodiles (not in the MovieCove catalog yet)(2002)

    Composer

  • Woman of the Port (not in the MovieCove catalog yet)(1996)

    Composer

  • Midaq Alley(1995)

    Composer · as Pianista Burdel

    Midcredits score: 88th percentile of all films
  • The Beginning and the End (not in the MovieCove catalog yet)(1994)

    Composer

  • ¡Maten a Chinto! (not in the MovieCove catalog yet)(1990)

    Composer

  • Cuantas viejas quieras (not in the MovieCove catalog yet)(1990)

    Composer

  • Love Lies (not in the MovieCove catalog yet)(1989)

    Composer

  • The Realm of Fortune(1986)

    Composer

    Midcredits score: 79th percentile of all films
  • The Perfect Woman (not in the MovieCove catalog yet)(1979)

    Composer

  • Divine Words (not in the MovieCove catalog yet)(1978)

    Composer

  • Pasajeros en Transito (not in the MovieCove catalog yet)(1978)

    Composer

  • The Days of Love (not in the MovieCove catalog yet)(1972)

    Composer

Career shape

A full career of 13 titles from 1972 to 2010.

Film career

By role

only this rolewith another role
Acting1 of 13: 0 only acting, 1 with another roleMusic13 of 13: 12 only music, 1 with another role

By decade

1970s4 · crew1980s2 · crew1990s5 · 1 acting · 5 crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Lucía Álvarez's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 3

Approval · how many liked their films

85thpercentile
Typical film, the median of 3

Reach · how many have seen their films

55thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lucía Álvarez work with?

People who share at least 2 of Lucía Álvarez's MovieCove titles, grouped by what they did on them; Jorge Fons shares the most, 2.

Directors

Writers

Actors

Editors