
Mona Scott-Young
- Producer
- 17 on MovieCove · 18 credits in all
Known for
What are Mona Scott-Young's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 2
Light 1 · Serious 2 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
A split, not a type: Gentle 1 · Charged 0 · Intense 2
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet4
- Ambiguous7
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mona Scott-Young's films?
As of October 24, 2026, 8 of their 17 MovieCove titles stream on a subscription or free service, most on Paramount+ (3).
Subscription and free streaming for Mona Scott-Young's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 17 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Be Happy(2026)
Midcredits score: 59th percentile of all films
Family Lockup(2025)
Midcredits score: 2nd percentile of all shows (provisional, few ratings)
Midcredits score: 77th percentile of all films
Midcredits score: 43rd percentile of all shows (provisional, few ratings)
Everybody Loves Natti(2021)
Midcredits score: 17th percentile of all shows (provisional, few ratings)
Midcredits score: 8th percentile of all shows (provisional, few ratings)
Midcredits score: 9th percentile of all shows (provisional, few ratings)
Love & Hip Hop: Miami(2018)
Midcredits score: 6th percentile of all shows
Leave It to Stevie(2016)
Midcredits score: 19th percentile of all shows (provisional, few ratings)
Midcredits score: 46th percentile of all shows (provisional, few ratings)
Money. Power. Respect.(2016)
Midcredits score: 46th percentile of all shows (provisional, few ratings)
K.Michelle: My Life(2014)
Midcredits score: 25th percentile of all shows (provisional, few ratings)
The New Atlanta(2013)
Midcredits score: 24th percentile of all shows (provisional, few ratings)
Love & Hip Hop: Atlanta(2012)
Midcredits score: 18th percentile of all shows
Chrissy & Mr. Jones(2012)
Midcredits score: 26th percentile of all shows (provisional, few ratings)
Midcredits score: 74th percentile of all films (provisional, few ratings)
The Hip Hop Project(2006)
Midcredits score: 45th percentile of all filmsCries of the Raven (not in the MovieCove catalog yet)
Career shape
A full career of 8 titles, 7 of them dated from 2006 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mona Scott-Young's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th6
- Below 25th8
Shape of the crowd
15 of their 17 titles are Divisive.
- Divisive15
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mona Scott-Young work with?
People who share at least 2 of Mona Scott-Young's MovieCove titles, grouped by what they did on them; Stephanie Gayle shares the most, 9.
Directors
- Pedro Feria PinoShared titles: Everybody Loves Natti (2021), Leave It to Stevie (2016), K.Michelle: My Life (2014)See all 3 shared titles with Pedro Feria Pino
Editors
- Courtney SommersShared titles: Family Lockup (2025), Money. Power. Respect. (2016), Chrissy & Mr. Jones (2012)See all 3 shared titles with Courtney Sommers
- Brendan ShermanShared titles: Money. Power. Respect. (2016), Stevie J & Joseline Go Hollywood (2016), Chrissy & Mr. Jones (2012)See all 3 shared titles with Brendan Sherman
- Michael NiemcewiczShared titles: Stevie J & Joseline Go Hollywood (2016), Chrissy & Mr. Jones (2012), Cocaine: History Between the Lines (2011)See all 3 shared titles with Michael Niemcewicz
- Richard AllenShared titles: Stevie J & Joseline Go Hollywood (2016), Chrissy & Mr. Jones (2012), Cocaine: History Between the Lines (2011)See all 3 shared titles with Richard Allen
Producers
- Stephanie GayleShared titles: Be Happy (2026), Family Lockup (2025), Love & Murder: Atlanta Playboy (2023), SWV & XSCAPE: The Queens of R&B (2023), Everybody Loves Natti (2021), Love & Hip Hop: Secrets Unlocked (2021), Leave It to Stevie (2016), Stevie J & Joseline Go Hollywood (2016), K.Michelle: My Life (2014)See all 9 shared titles with Stephanie Gayle

- Stefan SpringmanShared titles: Leave It to Stevie (2016), Money. Power. Respect. (2016), Stevie J & Joseline Go Hollywood (2016), K.Michelle: My Life (2014), The New Atlanta (2013), Chrissy & Mr. Jones (2012), Cocaine: History Between the Lines (2011)See all 7 shared titles with Stefan Springman
- Toby BarraudShared titles: Leave It to Stevie (2016), Money. Power. Respect. (2016), Stevie J & Joseline Go Hollywood (2016), K.Michelle: My Life (2014), The New Atlanta (2013), Chrissy & Mr. Jones (2012), Cocaine: History Between the Lines (2011)See all 7 shared titles with Toby Barraud
- Michael LangShared titles: Be Happy (2026), SWV & XSCAPE: The Queens of R&B (2023), Everybody Loves Natti (2021), Love & Hip Hop: Secrets Unlocked (2021), Tamar Braxton: Get Ya Life! (2020)See all 5 shared titles with Michael Lang
