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Mona Scott-Young

Mona Scott-Young

Producer

Works as
Producer
Titles
17 on MovieCove · 18 credits in all

What are Mona Scott-Young's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

A split, not a type: Gentle 1 · Charged 0 · Intense 2

A split, not a type: Steady 2 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
8
Melancholic
6
Joyful
4
Tense
4
Warm
5
Other
7

How their films end · 1 with a twist

  • Happy2
  • Bittersweet4
  • Ambiguous7
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mona Scott-Young's films?

As of October 24, 2026, 8 of their 17 MovieCove titles stream on a subscription or free service, most on Paramount+ (3).

Subscription and free streaming for Mona Scott-Young's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 17 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Be Happy(2026)

    Producer

    Midcredits score: 59th percentile of all films
  • Family Lockup(2025)

    Show Producer

    Midcredits score: 2nd percentile of all shows (provisional, few ratings)
  • Love & Murder: Atlanta Playboy(2023)

    Executive Producer

    Midcredits score: 77th percentile of all films
  • Midcredits score: 43rd percentile of all shows (provisional, few ratings)
  • Everybody Loves Natti(2021)

    Show Producer

    Midcredits score: 17th percentile of all shows (provisional, few ratings)
  • Midcredits score: 8th percentile of all shows (provisional, few ratings)
  • Tamar Braxton: Get Ya Life!(2020)

    Show Producer

    Midcredits score: 9th percentile of all shows (provisional, few ratings)
  • Love & Hip Hop: Miami(2018)

    Show 26 episodes · Music Supervisor

    Midcredits score: 6th percentile of all shows
  • Leave It to Stevie(2016)

    Show 7 episodes · Executive Producer

    Midcredits score: 19th percentile of all shows (provisional, few ratings)
  • Stevie J & Joseline Go Hollywood(2016)

    Show 8 episodes · Executive Producer

    Midcredits score: 46th percentile of all shows (provisional, few ratings)
  • Money. Power. Respect.(2016)

    Show Producer

    Midcredits score: 46th percentile of all shows (provisional, few ratings)
  • K.Michelle: My Life(2014)

    Show Producer

    Midcredits score: 25th percentile of all shows (provisional, few ratings)
  • The New Atlanta(2013)

    Show Producer

    Midcredits score: 24th percentile of all shows (provisional, few ratings)
  • Love & Hip Hop: Atlanta(2012)

    Show 30 episodes · Producer

    Midcredits score: 18th percentile of all shows
  • Chrissy & Mr. Jones(2012)

    Show Producer

    Midcredits score: 26th percentile of all shows (provisional, few ratings)
  • Midcredits score: 74th percentile of all films (provisional, few ratings)
  • The Hip Hop Project(2006)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Cries of the Raven (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 8 titles, 7 of them dated from 2006 to 2026.

By role

only this rolewith another role
Producing7 of 8: 7 only producing, 0 with another role · typical Midcredits score46thOther crew1 of 8: 1 only other crew, 0 with another role

By decade

2000s1 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mona Scott-Young's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 3

Approval · how many liked their films

66thpercentile
Typical film, the median of 3

Reach · how many have seen their films

28thpercentile
Typical film, the median of 3

Midcredits score across 17 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th8

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mona Scott-Young work with?

People who share at least 2 of Mona Scott-Young's MovieCove titles, grouped by what they did on them; Stephanie Gayle shares the most, 9.

Directors

Editors

Producers