Lourdes Diaz is the Chief Creative Officer for AGC Studios, overseeing the company's creative team and robust feature film and television slates from development through launch. Diaz was most recently President of AGC Television, responsible for the company's scripted, non-scripted, non-fiction and digital television content. Diaz has been with AGC Studios since its earliest days and has had a huge impact on the company's choices in material, in people and on the dynamic, multicultural working environment. Prior to AGC, Diaz served as President of Entertainment for Univision Communications Inc. (UCI), diversifying its entertainment content and working closely with Televisa, Netflix, Globo, Endemol, and other partners. Prior to UCI, Diaz was Head of Global Production and Development at Viacom International's Comedy Central where she oversaw their development across all Comedy Central International channels, and was the Executive Producer of numerous international scripted and unscripted series and shows. Before Comedy Central, Diaz was Vice President, Primetime Programming at NBC and Universal Media Studios. She also served as executive producer for multiple NBC comedies and dramas, including House, Parenthood, and The Office. Prior to NBC, Diaz founded Agua Entertainment Group (AEG) specializing in film, television and new media, and was Head of Creative Affairs for Green Moon Productions, a company formed and operated by Antonio Banderas and Melanie Griffith. A graduate of Emerson College, Diaz began her career as an agent at ICM, representing over 50 writers and directors.
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Biography from IMDb.
- Producer
- 6 on MovieCove
What are Lourdes Diaz's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 1 · Dark 3
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 5 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 2
Resolved 2 · Open-ended 2 · Ambiguous 1
Moods and endings
- Bittersweet4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lourdes Diaz's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Lourdes Diaz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.
Vanished(2026)
Midcredits score: 6th percentile of all shows
We Are Pat(2025)
Midcredits score: 73rd percentile of all films
Transition(2023)
Midcredits score: 85th percentile of all films
The Tinder Swindler(2022)
Midcredits score: 83rd percentile of all films
Midcredits score: 62nd percentile of all films
Imagining Argentina(2003)
Midcredits score: 45th percentile of all films
Career shape
Across their 6 MovieCove titles from 2003 to 2026.
Awards
Nominated for a Primetime Emmy in 2022, Outstanding Documentary or Nonfiction Special.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Lourdes Diaz's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 6 titles are Crowd Pleasers.
- Divisive1
- Cult Classic1
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lourdes Diaz work with?
People who share at least 2 of Lourdes Diaz's MovieCove titles, grouped by what they did on them; Stuart Ford shares the most, 4.
Actors
- Antonio BanderasShared titles: And Starring Pancho Villa as Himself (2003), Imagining Argentina (2003)See all 2 shared titles with Antonio Banderas
Producers
- Stuart FordShared titles: Vanished (2026), We Are Pat (2025), Transition (2023), The Tinder Swindler (2022)See all 4 shared titles with Stuart Ford
- Diane IsaacsShared titles: And Starring Pancho Villa as Himself (2003), Imagining Argentina (2003)See all 2 shared titles with Diane Isaacs