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What are Mark Grenside's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Themes

share of theme weight
Bonds
45%
Survival
36%
Society
11%
Morality
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

Grounded 3 · Stylized 1 · Heightened 0

A split, not a type: Gentle 2 · Charged 1 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
2
Warm
2
Dread
1
Joyful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Grenside's films?

As of October 24, 2026, none of Mark Grenside's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Mark Grenside's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

  • Ferocious Planet(2011)

    Producer

    Midcredits score: 6th percentile of all films
  • Roadkill(2011)

    Producer

    Midcredits score: 7th percentile of all films
  • Gift of the Magi(2010)

    Producer

    Midcredits score: 27th percentile of all films
  • The Santa Incident(2010)

    Producer

    Midcredits score: 14th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2010 to 2011.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Mark Grenside's films land?

Their typical MovieCove film has a Midcredits score in the 11th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 4

Approval · how many liked their films

14thpercentile
Typical film, the median of 4

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th1
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark Grenside work with?

People who share at least 2 of Mark Grenside's MovieCove titles, grouped by what they did on them; Alan Moloney shares the most, 4.

Composers and cinematographers

Producers