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Todd Sandler

Editor and producer

Todd has worked with some of the top studios/production companies in the film industry including Dreamworks, Disney, Lucasfilm, Warner Brothers, Paramount, Bad Robot and The Kennedy Marshall Company. His work includes feature length narrative films, TV shows, documentaries, trailers, tributes and commercials. He cut a theatrical trailer and several TV spots for Steven Spielberg's award winning film, War Horse, and edited the David O. Selznick Achievement Award tribute which Mr. Spielberg received at the 2012 Producers Guild Awards show. Upon accepting the award, Spielberg remarked "Everyone in this room should be working with Todd Sandler". Todd worked alongside Jonathan Demme on the documentary, I'm Carolyn Parker, which premiered at the 2011 Venice Film Festival and the Toronto International Film Festival; he worked as an additional editor on Warner Brothers' summer blockbuster, The Legend of Tarzan, which was released in 2016; and most recently, films include, The Parting Glass, directed by Stephen Moyer (True Blood) and starring Denis O'Hare (American Horror Story), Academy Award Winner Melissa Leo (The Fighter), Academy Award Winner Anna Paquin (The Piano), Cynthia Nixon (Sex & The City), Rhys Ifans (Notting Hill) and Ed Asner; Pimp which was written/directed by Christine Crokos and Executive Produced by Lee Daniels. It premiered at TriBeca 2018 and released later that year. Todd is also an experienced musician, sound designer and music editor. His enthusiasm for great storytelling is matched only by his dedication to the craft of cutting, his world-class technical expertise and his undisputed love of film.

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Biography from IMDb.

Works as
Editor and producer
Titles
9 on MovieCove

What are Todd Sandler's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 7

Grounded 7 · Stylized 1 · Heightened 0

Gentle 1 · Charged 4 · Intense 3

Steady 5 · Shifting 2 · Whiplash 1

Straight-faced 7 · Some laughs 1 · Funny 0

Slow burn 6 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 4 · Full focus 2

Easy watch 0 · Affecting 2 · Heavy 6

Resolved 3 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Tense
5
Contemplative
4
Dread
3
Bittersweet
2
Other
3

How their films end · 3 with a twist

  • Bittersweet5
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Todd Sandler's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Todd Sandler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Alma and the Wolf(2025)

    Editor

    Midcredits score: 13th percentile of all films
  • Midcredits score: 8th percentile of all films
  • Fresh Kills(2023)

    Editor · Producer

    Midcredits score: 66th percentile of all films
  • A Bit of Light(2022)

    Editor

    Midcredits score: 46th percentile of all films
  • Chance(2020)

    Editor

    Midcredits score: 30th percentile of all films
  • Staged(2020)

    Show Editor

    Midcredits score: 97th percentile of all shows
  • Pimp(2018)

    Editor

    Midcredits score: 72nd percentile of all films
  • The Parting Glass(2018)

    Editor

    Midcredits score: 36th percentile of all films
  • Leave(2011)

    Editor

    Midcredits score: 45th percentile of all films

Career shape

Across their 9 MovieCove titles from 2011 to 2025.

By role

only this rolewith another role
Producing1 of 9: 0 only producing, 1 with another roleEditing9 of 9: 8 only editing, 1 with another role · typical Midcredits score45th

By decade

2010s3 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Todd Sandler's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 8

Approval · how many liked their films

39thpercentile
Typical film, the median of 8

Reach · how many have seen their films

64thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th2

Reviewers score the pacing 34/100 in their films, across 8 reviewed titles; fans 49, detractors 17. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Todd Sandler's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 20 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Todd Sandler work with?

People who share at least 2 of Todd Sandler's MovieCove titles, grouped by what they did on them; Michael Hagerty shares the most, 3.

Directors

Actors

Composers

Producers