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Carlos José Alvarez

Carlos José Alvarez

Composer, also producer · Born December 21, 1979 (46) · Baton Rouge, Louisiana, USA

Carlos José Alvarez is a dynamic and versatile composer as well as a gifted percussionist. Born of Cuban immigrants, Carlos began playing his native music as a child but also developed a profound love for the orchestra at an early age. He was accepted into a performing arts school at age twelve where he studied symphonic percussion, music theory, and piano. During high school, he started performing with orchestras throughout South Florida and went on to receive a scholarship to attend the Florida State University. While there, he scored numerous award winning student films and upon graduating he was honored with a scholarship to the Berklee College of Music where he graduated magna cum laude with a degree in Film Scoring. In 2005 he accepted a conducting fellowship to study under Michalis Economou with the Athens Symphony Orchestra. Carlos' life-long passion for storytelling is evident in the variety of music he creates for the screen. Within his artistic process he considers himself a storyteller as much as a composer. Breathing life into the characters and luring the audience into the story is what really excites him. He finds much of his inspiration in a film's imagery and characters and his love for powerful and touching melodies shines through his music. Carlos resides in Los Angeles.

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Biography from IMDb.

Born
December 21, 1979 (46)
From
Baton Rouge, Louisiana, USA
Works as
Composer, also producer
Titles
13 on MovieCove

What are Carlos José Alvarez's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 2 · Dark 5

Grounded 9 · Stylized 3 · Heightened 0

Gentle 4 · Charged 5 · Intense 3

A split, not a type: Steady 6 · Shifting 4 · Whiplash 2

Straight-faced 9 · Some laughs 2 · Funny 1

Slow burn 8 · Even-paced 3 · Relentless 1

Casual 5 · Engaged 6 · Full focus 1

A split, not a type: Easy watch 5 · Affecting 3 · Heavy 4

Resolved 7 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Hopeful
5
Dread
5
Melancholic
6
Warm
3
Other
10

How their films end · 3 with a twist

  • Happy6
  • Bittersweet5
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos José Alvarez's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Carlos José Alvarez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Find Me Falling(2024)

    Composer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 53rd percentile of all shows
  • Locked In(2021)

    Composer

    Midcredits score: 12th percentile of all films
  • Miss Angela(2021)

    Producer

    Midcredits score: 87th percentile of all films (provisional, few ratings)
  • The Road Dance(2021)

    Composer

    Midcredits score: 81st percentile of all films
  • Revolution Rent(2019)

    Composer

    Midcredits score: 63rd percentile of all films
  • Midcredits score: 6th percentile of all films
  • Exposed(2016)

    Composer

    Midcredits score: 5th percentile of all films
  • Of Mind and Music(2014)

    Composer

    Midcredits score: 66th percentile of all films
  • The Quiet Hour(2014)

    Composer

    Midcredits score: 9th percentile of all films
  • The Soccer Nanny(2011)

    Composer

    Midcredits score: 24th percentile of all films
  • The Gift(2010)

    Composer

    Midcredits score: 73rd percentile of all films (provisional, few ratings)
  • Deadline(2009)

    Composer

    Midcredits score: 9th percentile of all films

Career shape

Across their 13 MovieCove titles from 2009 to 2024.

By role

only this rolewith another role
Producing1 of 13: 1 only producing, 0 with another roleMusic12 of 13: 12 only music, 0 with another role · typical Midcredits score37th

By decade

2000s1 · crew2010s7 · crew2020s5 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Carlos José Alvarez's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 12

Approval · how many liked their films

50thpercentile
Typical film, the median of 12

Reach · how many have seen their films

48thpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • Below 25th6

Shape of the crowd

5 of their 13 titles are Mixed.

  • Universally Panned1
  • Loved with Detractors1
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed5

Reviewers score the sound and music 67/100 in their films, across 7 reviewed titles; fans 76, detractors 44. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Carlos José Alvarez's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 41 · moderateMedian of all films: 32
Profanity3 titlesmedian 33 · mildMedian of all films: 36
Frightening / Intense3 titlesmedian 53 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Carlos José Alvarez work with?

People who share at least 2 of Carlos José Alvarez's MovieCove titles, grouped by what they did on them; Richie Adams shares the most, 2.

Directors

Producers