Charlotte Dauphin (born on 6 October 1987 in Paris) is a French filmmaker, performance artist, visual artist, and designer. She trained as a ballet dancer in France before her dance career was cut short by injury and she subsequently decided to focus on her studies. Charlotte graduated in semiotics and communication (MA - Edhec, France), art history (MA - Courtauld, University of London), the dramatic arts (MA - Royal Academy of Dramatic Arts, London) and did a filmmaking residency at the University of Southern California in Los Angeles, where she directed, produced, edited and performed in her first short film An Attempt to Know More in 2010. She subsequently launched her own studio, home to her art practice and portfolio of works across genres including performance, visual arts, film, and design. Additionally to her personal work, Dauphin performs for and produces other artists, focusing on independent features and auteurs. Dauphin is married to Charles-Henri de La Rochefoucauld. They both founded Dauphin Films, a production company under which they have produced several internationally acclaimed features. This includes Bergman Island by French independent film director Mia Hansen-Love, Eleanor the Great (2020) by Oscar nominated American actress Scarlett Johansson, or Dark Inclusion by French Oscar and Golden Globe winning director and screenwriter Arthur Harari, both in their directorial debut.
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Biography from TMDB.
- Paris, France
- Producer, actor, director and writer
- 11 on MovieCove · 16 credits in all
What are Charlotte Dauphin's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
A split, not a type: Light 2 · Serious 4 · Dark 5
Grounded 9 · Stylized 2 · Heightened 0
Gentle 1 · Charged 9 · Intense 1
Steady 7 · Shifting 4 · Whiplash 0
Straight-faced 8 · Some laughs 2 · Funny 1
Slow burn 6 · Even-paced 5 · Relentless 0
Casual 2 · Engaged 7 · Full focus 2
Easy watch 0 · Affecting 7 · Heavy 4
Resolved 4 · Open-ended 5 · Ambiguous 2
Roles they play
- Heroas Marthe in Melpomène (2026)
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Charlotte Dauphin's films?
As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Charlotte Dauphin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 11 with a MovieCove page.
Up Against It(2026)
Midcredits score: 77th percentile of all films (provisional, few ratings)
Melpomène(2026)
Midcredits score: 71st percentile of all films (provisional, few ratings)
& Sons(2025)
Midcredits score: 44th percentile of all films
All of a Sudden(2026)
Midcredits score: 97th percentile of all films
Eleanor the Great(2025)
Midcredits score: 75th percentile of all films
Yakushima's Illusion(2025)
Midcredits score: 72nd percentile of all films
Dear Paris(2024)
Midcredits score: 29th percentile of all films
Kamay (not in the MovieCove catalog yet)(2024)
Barre (not in the MovieCove catalog yet)(2023)
Architecte (not in the MovieCove catalog yet)(2022)
One Fine Morning(2022)
Midcredits score: 80th percentile of all films
Bergman Island(2021)
Midcredits score: 70th percentile of all films
The Other (not in the MovieCove catalog yet)(2020)
Maya(2018)
Midcredits score: 43rd percentile of all films
Dark Inclusion(2016)
Midcredits score: 57th percentile of all films
The Species (not in the MovieCove catalog yet)
Career shape
A full career of 15 titles, 13 of them dated from 2016 to 2026.
Film career
- 2024Screen debut· Dear Paris
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Charlotte Dauphin's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up4
- 50th to 74th4
- 25th to 49th3
Shape of the crowd
5 of their 11 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser5
- Broadly Agreed1
- Mixed3
Reviewers score the acting 78/100 in their films, across 7 reviewed titles; fans 84, detractors 39. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Charlotte Dauphin's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Charlotte Dauphin work with?
People who share at least 2 of Charlotte Dauphin's MovieCove titles, grouped by what they did on them; Charles-Henri de la Rochefoucauld shares the most, 4.
Directors
- Mia Hansen-LøveShared titles: One Fine Morning (2022), Bergman Island (2021), Maya (2018)See all 3 shared titles with Mia Hansen-Løve
Actors
- Pascal GreggoryShared titles: Melpomène (2026), One Fine Morning (2022)See all 2 shared titles with Pascal Greggory
- Violaine GillibertShared titles: Melpomène (2026), Maya (2018)See all 2 shared titles with Violaine Gillibert
- Vicky KriepsShared titles: Yakushima's Illusion (2025), Bergman Island (2021)See all 2 shared titles with Vicky Krieps
Cinematographers and editors
- Marion MonnierShared titles: One Fine Morning (2022), Bergman Island (2021), Maya (2018)See all 3 shared titles with Marion Monnier
- Hélène LouvartShared titles: Eleanor the Great (2025), Maya (2018)See all 2 shared titles with Hélène Louvart
- Denis LenoirShared titles: One Fine Morning (2022), Bergman Island (2021)See all 2 shared titles with Denis Lenoir
Producers
- Charles-Henri de la RochefoucauldShared titles: All of a Sudden (2026), Melpomène (2026), Yakushima's Illusion (2025), One Fine Morning (2022)See all 4 shared titles with Charles-Henri de la Rochefoucauld
- Olivier PèreShared titles: All of a Sudden (2026), One Fine Morning (2022), Bergman Island (2021), Maya (2018)See all 4 shared titles with Olivier Père
- Celine RattrayShared titles: Up Against It (2026), & Sons (2025), Eleanor the Great (2025)See all 3 shared titles with Celine Rattray
- Jean-Luc OrmièresShared titles: All of a Sudden (2026), Melpomène (2026), Yakushima's Illusion (2025)See all 3 shared titles with Jean-Luc Ormières
