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D'Angela Proctor

D'Angela Proctor

Producer and director

D'Angela Proctor is a rare entertainment professional that can easily transition between both the creative and business sides of media. Her career spans from being an attorney, entrepreneur, showrunner and Executive Producer to a network and studio executive. Proctor is currently CEO for Justin Baldoni's Wayfarer Entertainment and most recently consulted for Ava DuVernay's ARRAY Filmworks to service the production company's exclusive pact with Warner Brothers Television. Prior to these roles, Proctor served as the Head of Production & Business Development of Codeblack Films, a Lionsgate Company. In her job capacity, Proctor was charged with growing the company in the areas of global feature film and television production. While there, she streamlined Codeblack's development slate to focus on biopics and select urban literature based projects. She also spearheaded and negotiated a multi-picture deal with a major cable network for three of the company's legacy projects. Prior to joining Codeblack, Proctor served as the Head of Original Programming & Production at TV One for 5 years. Proctor overhauled the programming strategy that led to a 47% gain in network revenue over three years and improved the network's ratings performance by 36% in 2015, positioning it as a Top Cable Growth Network among competitors. She also maintained the creative and business affairs oversight of 44 original movies, 50 episodes of scripted comedies, 1000 + hours of news and public affairs programming, 240 hours of true crime & justice programming, 120 hours of reality programming, 5 NAACP Image Awards and a host of other specials and programming initiatives. During her tenure, TV One programming earned seven NAACP Image Awards, a GLAAD Award, NAMIC Vision Awards, among others. Before transitioning to a network executive, Proctor was a veteran of music, film and television production, having co- owned and operated Strange Fruit Media for over 15 years. There, she developed, created and/or produced music videos, live music and comedy recordings, documentaries, feature films and television series. In the film arena, she raised millions of dollars for independent film productions that included Book of Love: The Definitive Reason Why Men Are Dogs (sold to BET and Universal); Ride or Die (sold to Screen Gems); Hustle and Heat (sold to Lionsgate); and The Seat Filler (sold to Magnolia Pictures). In the television arena, Proctor served as an executive producer and creative consultant to Black Entertainment Television from 2008 to 2010. During that time, she developed and/or executive produced multiple film and television projects, including Sunday Best, which earned the 43rd Annual NAACP Image Award for Outstanding Reality Series in 2011. She later created OWN's first female-centric docu-reality series, Love in the City. Before entering the media business, Proctor practiced labor and employment defense law at Reed, Smith, Shaw & McClay in Pittsburgh, Pennsylvania, where she litigated cases for clients in the banking, public utilities and corporate sectors. Proctor earned a Bachelor of Arts degree in Political Science from Spelman College and a Juris Doctorate and Master of Science degree in Leadership from Duquesne University.

Read more

Biography from IMDb.

Works as
Producer and director
Titles
25 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 106% in 30 days

What are D'Angela Proctor's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama11 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Drama movies
Comedy6 titlesTypical Midcredits score: 31st percentile
: browse their Comedy movies
Biography2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
34%
Self
22%
Morality
18%
Survival
11%
Society
10%
Power
2%
Ideas
2%
Family bonds8 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeSelf-worth5 titles, browse their movies with this themeAmbition4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeDeception3 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 11 · Serious 7 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 20 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 7 · Charged 12 · Intense 4

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 12 · Shifting 9 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 14 · Some laughs 8 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 13 · Even-paced 10 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 16 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 21 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
14
Tense
8
Warm
8
Melancholic
7
Romantic
4
Other
21

How their films linger

Hopeful12 titles, browse their movies with this aftertasteFeel-good10 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy10
  • Bittersweet12
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch D'Angela Proctor's films?

As of October 24, 2026, 16 of their 25 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for D'Angela Proctor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 25 with a MovieCove page.

Career shape

A full career of 12 titles from 2015 to 2026.

Highest rated

Jean of the Joneses (2016)

Midcredits 64th

Most popular right now

Terry McMillan Presents: Preach, Pray, Love (2025)

By role

only this rolewith another role
Directing4 of 12: 4 only directing, 0 with another roleProducing8 of 12: 8 only producing, 0 with another role · typical Midcredits score47th

By decade

2010s3 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do D'Angela Proctor's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 23

Approval · how many liked their films

48thpercentile
Typical film, the median of 23

Reach · how many have seen their films

38thpercentile
Typical film, the median of 23

Midcredits score across 25 titles, by percentile

  • 75th and up2
  • 50th to 74th10
  • 25th to 49th9
  • Below 25th4

Shape of the crowd

10 of their 25 titles are Mixed.

  • Divisive7
  • Cult Classic8
  • Mixed10

Most divisive · producer

OWN Spotlight: Black Women OWN the Conversation (2019)

99th percentile spread · 63% rated it 4 or lower

Most loved · producer

Runaway Island (2015)

Midcredits 82nd · 63% liked

Reviewers score the atmosphere 53/100 and the pacing 39/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does D'Angela Proctor work with?

People who share at least 2 of D'Angela Proctor's MovieCove titles, grouped by what they did on them; David Eubanks shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers