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Nick Schenk

Nick Schenk

Writer and producer · Born November 12, 1965 (60) · Minneapolis, Minnesota, USA

Writers Guild Award nominee

Nick Schenk (born November 12, 1965) is an American screenwriter known for writing the Clint Eastwood-directed feature film Gran Torino in 2008 for which he won Best Original Screenplay from the National Board of Review. He continued his collaborations with Eastwood on The Mule (2018) and Cry Macho (2021). Description above from the Wikipedia article Nick Schenk, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
November 12, 1965 (60)
From
Minneapolis, Minnesota, USA
Works as
Writer and producer
Titles
7 on MovieCove · 9 credits in all
TMDB popularity, last 156 days to Oct 27Up 4% in 30 days

What are Nick Schenk's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 5 · Stylized 0 · Heightened 0

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 4 · Funny 0

Slow burn 5 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Bittersweet
4
Hopeful
3
Tense
3
Warm
1
Other
1

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nick Schenk's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Prime Video (2).

Subscription and free streaming for Nick Schenk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • A Christmas Story Christmas(2022)

    Executive Producer · Screenplay · Screenstory

    Midcredits score: 66th percentile of all films
  • Cry Macho(2021)

    Screenplay

    Midcredits score: 30th percentile of all films
  • The Mule(2018)

    Screenplay

    Midcredits score: 83rd percentile of all films
  • Manhunt(2017)

    Show 18 episodes · Co-Executive Producer · Story · Teleplay · Writer

    Midcredits score: 94th percentile of all shows
  • Harley and the Davidsons (not in the MovieCove catalog yet)(2016)

    Show 3 episodes · Executive Producer · Story · Teleplay · Writer

  • Narcos(2015)

    Show 2 episodes · Writer

    Midcredits score: 99th percentile of all shows
  • The Judge(2014)

    Screenplay · Story

    Midcredits score: 89th percentile of all films
  • Gran Torino(2008)

    Screenplay · Story

    Midcredits score: 98th percentile of all films
  • Bitcoin (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 9 titles, 8 of them dated from 2008 to 2022.

By role

only this rolewith another role
Writing9 of 9: 6 only writing, 3 with another role · typical Midcredits score89thProducing3 of 9: 0 only producing, 3 with another role

9 titles, 3 with more than one role — writing and producing overlap on 3 of them.

By decade

2000s1 · crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 2017–2018.

  1. 2018
    • Writers Guild Award, nominated · Long Form - Original
  2. 2017
    • Writers Guild Award, nominated · Long Form - Original

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Nick Schenk's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 5

Approval · how many liked their films

85thpercentile
Typical film, the median of 5

Reach · how many have seen their films

97thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up5
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 7 titles divides audiences: 4 are Universally Loved.

  • Universally Loved4
  • Crowd Pleaser2
  • Broadly Agreed1

Reviewers score the dialogue 53/100 and the plot and story 52/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nick Schenk's work okay for kids?

Across up to 5 MovieCove titles with content scores, profanity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles15–56 · median 32 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity5 titles20–46 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles42–81 · median 62 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles31–54 · median 35 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Nick Schenk work with?

People who share at least 2 of Nick Schenk's MovieCove titles, grouped by what they did on them; Clint Eastwood shares the most, 3.

Directors

Editors

Producers