
Catherine Haight, ACE is a film editor whose credits include Transparent, The Good House, and Puzzle. Other credits include Troop Zero, The Polka King, Afternoon Delight, High Desert, I Love Dick, Mozart in the Jungle, Girls, and New Girl. Her work on the pilot episode of Transparent earned her a nomination for both an Emmy and ACE Eddie Award. She also received an ACE Eddie nomination for the pilot of Girls. She is a member of the Academy of Motion Picture Arts and Sciences.
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Biography from IMDb.
- Editor
- 10 on MovieCove · 12 credits in all
What are Catherine Haight's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 2 · Serious 3 · Dark 0
Grounded 5 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Catherine Haight's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Catherine Haight's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 10 with a MovieCove page.

Sirens(2025)
Midcredits score: 32nd percentile of all shows
The Good House(2021)
Midcredits score: 57th percentile of all films
Troop Zero(2019)
Midcredits score: 77th percentile of all films
Puzzle(2018)
Midcredits score: 72nd percentile of all films
Halfway There(2018)
Midcredits score: 64th percentile of all films (provisional, few ratings)
The Polka King(2017)
Midcredits score: 37th percentile of all films
I Love Dick(2016)
Midcredits score: 23rd percentile of all shows
Playing It Cool(2014)
Midcredits score: 33rd percentile of all films
Afternoon Delight(2013)
Midcredits score: 30th percentile of all filmsThe Magic Bracelet (not in the MovieCove catalog yet)(2013)

Zombieland (not in the MovieCove catalog yet)(2013)

The Cabin in the Woods(2011)
Midcredits score: 79th percentile of all films
Career shape
A full career of 11 titles from 2012 to 2025.

Biggest box office
The Good House (2021)

Highest rated
Troop Zero (2019)

Most popular right now
Sirens (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
2 major nominations and no wins, 2015–2025.
- Primetime Emmy, nominated · Outstanding Picture Editing for a Limited or Anthology Series or Movie
- Primetime Emmy, nominated · Outstanding Single-Camera Picture Editing for a Comedy Series
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Catherine Haight's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 8; across their 5 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 10 titles are Crowd Pleasers.
- Loved with Detractors1
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed4
Reviewers score the pacing 43/100 in their films, across 4 reviewed titles; fans 53, detractors 26. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Catherine Haight's work okay for kids?
Across up to 5 MovieCove titles with content scores, profanity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Catherine Haight work with?
People who share at least 2 of Catherine Haight's MovieCove titles; Nick Morton shares the most, 2.
- Nick MortonShared titles: Halfway There (2018), Afternoon Delight (2013)See all 2 shared titles with Nick Morton

- Rick RosenthalShared titles: Halfway There (2018), Afternoon Delight (2013)See all 2 shared titles with Rick Rosenthal



