Martino Zaidelis

What are Martino Zaidelis' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Martino Zaidelis' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Netflix (2).

• Netflix2 titles, browse their movies on this service
  • Vientos de agua (2006) · editor
  • Camp Crasher (2024) · director, writer
• The Roku Channel1 title, browse their movies on this service
  • The Weasel's Tale (2019) · producer · free
• Tubi1 title, browse their movies on this service
  • The Weasel's Tale (2019) · producer · free

Subscription and free streaming for Martino Zaidelis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Camp Crasher(2024)

  Director · Writer

  Midcredits score: 26th percentile of all films26^th
• 

  The Weasel's Tale(2019)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Super Crazy(2018)

  Director · Editor · Writer

  Midcredits score: 46th percentile of all films46^th
• 

  Vientos de agua(2006)

  Show Editor

  Midcredits score: 98th percentile of all shows98^th

Career shape

Across a limited sample of 4 MovieCove titles from 2006 to 2024.

Biggest box office

Super Crazy (2018)

$2.9M worldwide

Highest rated

Vientos de agua (2006)

Midcredits 98^th

Most popular right now

Camp Crasher (2024)

How do Martino Zaidelis' films land?

Their typical MovieCove film has a Midcredits score in the 46^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 46^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Mixed.

112

• Universally Loved1
• Crowd Pleaser1
• Mixed2

Most loved · editor

Vientos de agua (2006)

Midcredits 98^th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Martino Zaidelis work with?

People who share at least 2 of Martino Zaidelis' MovieCove titles, grouped by what they did on them; Juan José Campanella shares the most, 3.