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Peter Garde

Producer · Born October 21, 1956 (70) · Store Heddinge, Denmark

Peter Garde was born on 21 October 1956 in Store Heddinge, Denmark. He was a producer, known for Melancholia (2011), In Order of Disappearance (2014) and Perfect Sense (2011). He died on 15 January 2024 in Fakse, Denmark.

Biography from IMDb.

Born
October 21, 1956 (70)
From
Store Heddinge, Denmark
Works as
Producer
Titles
37 on MovieCove · 48 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 13% in 30 days

What are Peter Garde's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama16 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Drama movies
Action6 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Action movies
Comedy4 titlesTypical Midcredits score: 42nd percentile
: browse their Comedy movies
Crime3 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 8th percentile
: browse their Adventure movies
Biography2 titlesTypical Midcredits score: 88th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Morality
22%
Survival
19%
Self
15%
Power
9%
Society
7%
Family bonds11 titles, browse their movies with this themeSurvival9 titles, browse their movies with this themeJustice7 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeRomantic love6 titles, browse their movies with this themeGuilt5 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeIsolation5 titles, browse their movies with this theme

What they feel like to watch

their average across 35 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 4 · Serious 5 · Dark 26

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 23 · Stylized 8 · Heightened 4

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 12 · Intense 20

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 22 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 28 · Some laughs 7 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 18 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 23 · Full focus 6

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 2 · Affecting 9 · Heavy 24

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 21 · Open-ended 6 · Ambiguous 8

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Melancholic
21
Dread
14
Cold
4
Hopeful
6
Other
24

How their films linger

Haunting14 titles, browse their movies with this aftertasteThought-provoking12 titles, browse their movies with this aftertasteUnsettling13 titles, browse their movies with this aftertasteBittersweet11 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy2
  • Bittersweet17
  • Tragic5
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Garde's films?

As of October 24, 2026, 25 of their 37 MovieCove titles stream on a subscription or free service, most on Tubi (16).

Also on these channels

Subscription and free streaming for Peter Garde's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

48 credits, 37 with a MovieCove page.

  • Horizon Line(2020)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • The Bay of Silence(2020)

    Executive Producer

    Midcredits score: 7th percentile of all films

  • Domino(2019)

    Executive Producer

    Midcredits score: 5th percentile of all films

  • Malevolent(2018)

    Producer

    Midcredits score: 8th percentile of all films

  • Across the Waters(2016)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • The King's Choice(2016)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • The Last King(2016)

    Producer

    Midcredits score: 45th percentile of all films

  • Kebab & Horoscope (not in the MovieCove catalog yet)(2014)

    Co-Producer

  • Young Ones(2014)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • The Salvation(2014)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • In Order of Disappearance(2014)

    Executive Producer

    Midcredits score: 87th percentile of all films

  • Nymphomaniac: Vol. I(2013)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Nymphomaniac: Vol. II(2013)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • 1,000 Times Good Night(2013)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • Tasting Menu(2013)

    Executive Producer

    Midcredits score: 22nd percentile of all films

  • In the Name Of(2013)

    Producer

    Midcredits score: 60th percentile of all films

  • A Royal Affair(2012)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • Into the White(2012)

    Producer

    Midcredits score: 86th percentile of all films

  • Love Is All You Need(2012)

    Producer

    Midcredits score: 59th percentile of all films

  • Perfect Sense(2011)

    Executive Producer

    Midcredits score: 81st percentile of all films

  • Happy End (not in the MovieCove catalog yet)(2011)

    Executive Producer

  • Elles(2011)

    Co-Producer

    Midcredits score: 27th percentile of all films

  • Rebounce (not in the MovieCove catalog yet)(2011)

    Executive Producer

  • Melancholia(2011)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • The Ambassador(2011)

    Producer

    Midcredits score: 86th percentile of all films

  • In a Better World(2010)

    Executive Producer

    Midcredits score: 94th percentile of all films

  • The Woman Who Dreamed of a Man(2010)

    Producer

    Midcredits score: 12th percentile of all films

  • Storm (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Antichrist(2009)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • Mammoth(2009)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • Through a Glass, Darkly (not in the MovieCove catalog yet)(2008)

    Co-Producer

  • My Black Little Heart (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • Kisses(2008)

    Executive Producer

    Midcredits score: 85th percentile of all films

  • Ticket to Romance(2008)

    Producer

    Midcredits score: 26th percentile of all films

  • The Early Years: Erik Nietzsche Part 1 (not in the MovieCove catalog yet)(2007)

    Executive Producer

  • Island of Lost Souls(2007)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • The Three Musketeers (not in the MovieCove catalog yet)(2006)

    Producer

  • Princess (not in the MovieCove catalog yet)(2006)

    Executive Producer

  • We Shall Overcome (not in the MovieCove catalog yet)(2006)

    Executive Producer

  • After the Wedding(2006)

    Executive Producer

    Midcredits score: 95th percentile of all films

  • Dear Wendy(2005)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • Manslaughter(2005)

    Producer

    Midcredits score: 68th percentile of all films

  • Brothers(2004)

    Executive Producer

    Midcredits score: 91st percentile of all films

  • Dogville(2003)

    Co-Executive Producer

    Midcredits score: 97th percentile of all films

  • The Inheritance(2003)

    Executive Producer

    Midcredits score: 84th percentile of all films

  • Song for a Raggy Boy(2003)

    Co-Producer

    Midcredits score: 93rd percentile of all films

  • Dancer in the Dark(2000)

    Finance

    Midcredits score: 97th percentile of all films

  • Midday Sun (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 39 titles, 38 of them dated from 2000 to 2020.

Biggest box office

Melancholia (2011)

$17M worldwide

Highest rated

Dogville (2003)

Midcredits 97th

Most popular right now

Nymphomaniac: Vol. II (2013)

By role

only this rolewith another role
Producing38 of 39: 38 only producing, 0 with another role · typical Midcredits score77thOther crew1 of 39: 1 only other crew, 0 with another role

By decade

2000s18 · crew2010s18 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Garde's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 37; across their 35 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 35

Approval · how many liked their films

71stpercentile
Typical film, the median of 35

Reach · how many have seen their films

85thpercentile
Typical film, the median of 35

Midcredits score across 37 titles, by percentile

  • 75th and up17
  • 50th to 74th9
  • 25th to 49th5
  • Below 25th6

Shape of the crowd

17 of their 37 titles are Crowd Pleasers.

  • Universally Loved7
  • Universally Panned1
  • Crowd Pleaser17
  • Broadly Agreed5
  • Mixed7

Most divisive · producer

Antichrist (2009)

50th percentile spread · 16% rated it 4 or lower

Most loved · producer

Dogville (2003)

Midcredits 97th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Garde's work okay for kids?

Across up to 20 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore15 titles40–90 · median 69 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity20 titles25–86 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity12 titles34–85 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles28–49 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles40–87 · median 73 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Peter Garde work with?

People who share at least 2 of Peter Garde's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 23.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles