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Audrey Rosenberg

Producer and writer

Primetime Emmy nominee

Works as
Producer and writer
Titles
13 on MovieCove · 16 credits in all
TMDB popularity, last 156 days to Oct 27Down 21% in 30 days

What are Audrey Rosenberg's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 4

Grounded 8 · Stylized 0 · Heightened 0

Gentle 3 · Charged 4 · Intense 1

Steady 6 · Shifting 0 · Whiplash 2

Straight-faced 5 · Some laughs 3 · Funny 0

Slow burn 7 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 5

Resolved 5 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Contemplative
7
Hopeful
5
Tense
3
Dread
1
Other
5

How their films end · 1 with a twist

  • Happy2
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Audrey Rosenberg's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Audrey Rosenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 13 with a MovieCove page.

  • Before(2024)

    Show 3 episodes · Staff Writer

    Midcredits score: 12th percentile of all shows
  • Sabbath Queen (not in the MovieCove catalog yet)(2024)

    Executive Producer

  • Katrina Babies(2022)

    Producer · Writer

    Midcredits score: 86th percentile of all films
  • Long Weekend(2021)

    Producer

    Midcredits score: 53rd percentile of all films
  • Bull(2019)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • Soul City(2020)

    Show 3 episodes · Executive Producer

    Midcredits score: 27th percentile of all shows
  • West of Hell(2018)

    Art Direction · Special Effects Technician

    Midcredits score: 33rd percentile of all films
  • A Talent for Trouble(2018)

    as Audrey

    Midcredits score: 13th percentile of all films (provisional, few ratings)
  • Restraint(2017)

    Production Design

    Midcredits score: 4th percentile of all films
  • I Am Not Your Negro(2016)

    Consulting Producer

    Midcredits score: 97th percentile of all films
  • Trapped(2016)

    Producer

    Midcredits score: 81st percentile of all films
  • Bastard (not in the MovieCove catalog yet)(2015)

    Production Design

  • Traitors (not in the MovieCove catalog yet)(2013)

    Producer

  • His Way(2011)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 62nd percentile of all films
  • Infamous(2006)

    Associate Producer

    Midcredits score: 78th percentile of all films

Career shape

A full career of 15 titles from 2006 to 2024.

By role

only this rolewith another role
Acting1 of 15: 1 only acting, 0 with another roleWriting2 of 15: 1 only writing, 1 with another roleProducing10 of 15: 9 only producing, 1 with another role · typical Midcredits score74thOther crew3 of 15: 3 only other crew, 0 with another role

By decade

2000s2 · crew2010s7 · 1 acting · 6 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2011, Outstanding Nonfiction Special.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Audrey Rosenberg's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 11; across their 8 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 8

Approval · how many liked their films

79thpercentile
Typical film, the median of 8

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 8

Midcredits score across 13 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th3

Reviewers score the dialogue 64/100 and the plot and story 57/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Audrey Rosenberg work with?

People who share at least 2 of Audrey Rosenberg's MovieCove titles, grouped by what they did on them; Jess Jacobs shares the most, 3.

Directors

Composers and editors

Producers

Mixed roles