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What are Sumiji Miyake's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 4

Grounded 1 · Stylized 3 · Heightened 2

A split, not a type: Gentle 1 · Charged 2 · Intense 3

A split, not a type: Steady 4 · Shifting 1 · Whiplash 1

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 3 · Relentless 1

Casual 1 · Engaged 4 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 4

Resolved 1 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
2
Melancholic
2
Contemplative
2
Absurd
2
Other
2

How their films end · 1 with a twist

  • Happy1
  • Bittersweet1
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sumiji Miyake's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sumiji Miyake's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • The King of Fighters(2009)

    Producer

    Midcredits score: 1st percentile of all films
  • Blue(2002)

    Producer

    Midcredits score: 75th percentile of all films
  • Blue Spring(2001)

    Producer

    Midcredits score: 88th percentile of all films
  • Ichi the Killer(2001)

    Producer

    Midcredits score: 79th percentile of all films
  • Tomie: Replay(2000)

    Producer

    Midcredits score: 25th percentile of all films
  • Uzumaki(2000)

    Producer

    Midcredits score: 46th percentile of all films

Career shape

Across their 6 MovieCove titles from 2000 to 2009.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score61st

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Sumiji Miyake's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 6

Approval · how many liked their films

56thpercentile
Typical film, the median of 6

Reach · how many have seen their films

86thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 25th to 49th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sumiji Miyake work with?

People who share at least 2 of Sumiji Miyake's MovieCove titles, grouped by what they did on them; Dai Miyazaki shares the most, 4.

Writers

Actors

Cinematographers

Producers