Patrizia Massa
- Producer
- 8 on MovieCove · 23 credits in all
What are Patrizia Massa's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 1
Gentle 2 · Charged 2 · Intense 1
Steady 3 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet5
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Patrizia Massa's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Patrizia Massa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 8 with a MovieCove page.

Lavoreremo da grandi(2026)
Midcredits score: 23rd percentile of all films
Midcredits score: 90th percentile of all shows
100 Sundays (not in the MovieCove catalog yet)(2023)

That Dirty Black Bag(2022)
Midcredits score: 59th percentile of all shows
Blue Eyes (not in the MovieCove catalog yet)(2021)

The Life Ahead(2020)
Midcredits score: 76th percentile of all films
The Name of the Rose (not in the MovieCove catalog yet)(2019)

The Happy Prince(2018)
Midcredits score: 55th percentile of all films
I delitti del BarLume - Un due tre stella! (not in the MovieCove catalog yet)(2018)

Fairytale(2017)
Midcredits score: 73rd percentile of all films
Feather (not in the MovieCove catalog yet)(2016)

Tommaso (not in the MovieCove catalog yet)(2016)

I delitti del BarLume - La briscola in cinque (not in the MovieCove catalog yet)(2015)

A New World (not in the MovieCove catalog yet)(2014)

Leopardi (not in the MovieCove catalog yet)(2014)

I delitti del BarLume - Il re dei giochi (not in the MovieCove catalog yet)(2013)

A Burning Hot Summer(2011)
Midcredits score: 21st percentile of all films
We Believed (not in the MovieCove catalog yet)(2010)

Passione (not in the MovieCove catalog yet)(2010)

The Goodbye Kiss (not in the MovieCove catalog yet)(2006)

Ginostra(2002)
Midcredits score: 6th percentile of all films
In nome del popolo sovrano (not in the MovieCove catalog yet)(1990)

Open Doors (not in the MovieCove catalog yet)(1990)
Career shape
A full career of 20 titles from 1990 to 2025.
How do Patrizia Massa's films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- Below 25th3
Shape of the crowd
5 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Patrizia Massa's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 3 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Patrizia Massa work with?
People who share at least 2 of Patrizia Massa's MovieCove titles, grouped by what they did on them; Carlo Degli Esposti shares the most, 6.
Writers
- Anna ZagagliaShared titles: The Count of Monte Cristo (2024), That Dirty Black Bag (2022)See all 2 shared titles with Anna Zagaglia
Producers
- Carlo Degli EspostiShared titles: Lavoreremo da grandi (2026), The Count of Monte Cristo (2024), That Dirty Black Bag (2022), The Life Ahead (2020), The Happy Prince (2018), Fairytale (2017)See all 6 shared titles with Carlo Degli Esposti
- Nicola SerraShared titles: Lavoreremo da grandi (2026), That Dirty Black Bag (2022), The Life Ahead (2020), Fairytale (2017)See all 4 shared titles with Nicola Serra

- Marco CamilliShared titles: Lavoreremo da grandi (2026), That Dirty Black Bag (2022), The Life Ahead (2020)See all 3 shared titles with Marco Camilli
- Luigi PintoShared titles: Lavoreremo da grandi (2026), The Life Ahead (2020)See all 2 shared titles with Luigi Pinto