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Kelly A. Morris

Kelly A. Morris

Editor, writer and cinematographer

Works as
Editor, writer and cinematographer
Titles
8 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Kelly A. Morris' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
25%
Self
20%
Society
15%
Power
14%
Bonds
14%
Ideas
9%
Morality
3%
Community3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 3 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Hopeful
2
Warm
2
Cold
3
Joyful
2
Other
5

How their films linger

Hopeful4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Happy2
  • Ambiguous5
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kelly A. Morris' films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Kelly A. Morris' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • Mafia: Most Wanted(2025)

    Show Editor

    Midcredits score: 14th percentile of all shows

  • Citizen Bio(2020)

    Editor

    Midcredits score: 42nd percentile of all films

  • Wild Bear Rescue(2017)

    Show Editor · Writer

    Midcredits score: 89th percentile of all shows (provisional, few ratings)

  • Jade Fever(2015)

    Show Editor

    Midcredits score: 43rd percentile of all shows

  • The Search for Freedom(2015)

    Editor

    Midcredits score: 78th percentile of all films

  • Combat School(2009)

    Show Editor

    Midcredits score: 76th percentile of all shows (provisional, few ratings)

  • Rich Bride, Poor Bride(2006)

    Show Editor

    Midcredits score: 26th percentile of all shows (provisional, few ratings)

  • Sex: The Annabel Chong Story(1999)

    Cinematographer · Editor · Writer

    Midcredits score: 27th percentile of all films

Career shape

Across their 8 MovieCove titles from 1999 to 2025.

Highest rated

Sex: The Annabel Chong Story (1999)

Midcredits 27th

Most popular right now

Jade Fever (2015)

By role

only this rolewith another role
Writing2 of 8: 0 only writing, 2 with another roleCinematography1 of 8: 0 only cinematography, 1 with another roleEditing8 of 8: 6 only editing, 2 with another role · typical Midcredits score43rd

By decade

1990s1 · crew2000s2 · crew2010s3 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Kelly A. Morris' films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 3

Approval · how many liked their films

42ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

39thpercentile
Typical film, the median of 3

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

5 of their 8 titles are Mixed.

  • Loved with Detractors1
  • Crowd Pleaser2
  • Mixed5

Most divisive · editor

Rich Bride, Poor Bride (2006)

83rd percentile spread · 33% rated it 4 or lower

Most loved · editor

The Search for Freedom (2015)

Midcredits 78th · 67% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kelly A. Morris work with?

People who share at least 2 of Kelly A. Morris' MovieCove titles, grouped by what they did on them; Jenypher Fisher shares the most, 3.

Directors

Writers

Editors

Producers