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Madeleine Ekman

Producer · Born February 25, 1965 (61) · Malmö, Sweden

Madeleine Ekman was born on 25 February 1965 in Malmö, Sweden. She is a producer and production manager, known for In Order of Disappearance (2014), Department Q: The Keeper of Lost Causes (2013) and Antichrist (2009).

Biography from IMDb.

Born
February 25, 1965 (61)
From
Malmö, Sweden
Works as
Producer
Titles
25 on MovieCove · 34 credits in all
TMDB popularity, last 64 days to Oct 27Down 22% in 30 days

What are Madeleine Ekman's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 17

A split, not a type: Grounded 14 · Stylized 4 · Heightened 3

Gentle 1 · Charged 4 · Intense 16

Steady 7 · Shifting 13 · Whiplash 1

Straight-faced 17 · Some laughs 4 · Funny 0

Slow burn 10 · Even-paced 10 · Relentless 1

Casual 2 · Engaged 13 · Full focus 6

Easy watch 0 · Affecting 5 · Heavy 16

Resolved 7 · Open-ended 10 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
15
Dread
11
Cold
5
Contemplative
3
Other
10

How their films end · 5 with a twist

  • Bittersweet12
  • Tragic4
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Madeleine Ekman's films?

As of October 24, 2026, 20 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Madeleine Ekman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 25 with a MovieCove page.

  • Midcredits score: 95th percentile of all films
  • In i dimman (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Journal 64(2018)

    Co-Producer

    Midcredits score: 93rd percentile of all films
  • The House That Jack Built(2018)

    Co-Producer

    Midcredits score: 74th percentile of all films
  • Min Ort - A Ghost Story (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • East of Sweden(2018)

    Co-Producer

    Midcredits score: 42nd percentile of all films
  • Darling(2017)

    Co-Producer

    Midcredits score: 44th percentile of all films
  • What Will People Say(2017)

    Associate Producer

    Midcredits score: 91st percentile of all films
  • You Disappear(2017)

    Co-Producer

    Midcredits score: 45th percentile of all films
  • The King's Choice(2016)

    Co-Producer

    Midcredits score: 82nd percentile of all films
  • The Day Will Come(2016)

    Co-Producer

    Midcredits score: 98th percentile of all films
  • The Model(2016)

    Co-Producer

    Midcredits score: 35th percentile of all films
  • The Commune(2016)

    Producer

    Midcredits score: 57th percentile of all films
  • Olmo and the Seagull (not in the MovieCove catalog yet)(2015)

    Executive Producer

  • The Here After (not in the MovieCove catalog yet)(2015)

    Producer

  • Midcredits score: 86th percentile of all films
  • On the Edge (not in the MovieCove catalog yet)(2014)

    Co-Producer

  • In Order of Disappearance(2014)

    Co-Producer

    Midcredits score: 87th percentile of all films
  • A Second Chance(2014)

    Producer

    Midcredits score: 70th percentile of all films
  • Nymphomaniac: Vol. I(2013)

    Co-Producer

    Midcredits score: 77th percentile of all films
  • Nymphomaniac: Vol. II(2013)

    Co-Producer

    Midcredits score: 67th percentile of all films
  • Midcredits score: 88th percentile of all films
  • Open Up to Me (not in the MovieCove catalog yet)(2013)

    Co-Producer

  • The Hunt(2012)

    Co-Producer

    Midcredits score: 99th percentile of all films
  • A Royal Affair(2012)

    Producer

    Midcredits score: 94th percentile of all films
  • Into the White(2012)

    Producer

    Midcredits score: 86th percentile of all films
  • Love Is All You Need(2012)

    Producer

    Midcredits score: 59th percentile of all films
  • Happy End (not in the MovieCove catalog yet)(2011)

    Producer

  • Melancholia(2011)

    Co-Producer

    Midcredits score: 86th percentile of all films
  • Balls (not in the MovieCove catalog yet)(2010)

    Co-Producer

  • Antichrist(2009)

    Co-Producer

    Midcredits score: 65th percentile of all films
  • I taket lyser stjärnorna (not in the MovieCove catalog yet)(2009)

    as Madde the chef

  • The Left Wing Gang(2009)

    Show Producer

    Midcredits score: 30th percentile of all shows
  • Arn: The Knight Templar(2007)

    Production Manager

    Midcredits score: 69th percentile of all films

Career shape

A full career of 27 titles from 2007 to 2018.

By role

only this rolewith another role
Acting1 of 27: 1 only acting, 0 with another roleProducing25 of 27: 25 only producing, 0 with another role · typical Midcredits score82ndOther crew1 of 27: 1 only other crew, 0 with another role

By decade

2000s3 · 1 acting · 2 crew2010s24 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Madeleine Ekman's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 24; across their 21 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 21

Approval · how many liked their films

81stpercentile
Typical film, the median of 21

Reach · how many have seen their films

88thpercentile
Typical film, the median of 21

Midcredits score across 25 titles, by percentile

  • 75th and up13
  • 50th to 74th7
  • 25th to 49th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Madeleine Ekman's work okay for kids?

Across up to 16 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles48–92 · median 71 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity16 titles36–81 · median 60 · intenseheavier than most filmsMedian of all films: 32
Profanity11 titles29–79 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs12 titles31–63 · median 41 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles73–92 · median 83 · severeheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Madeleine Ekman work with?

People who share at least 2 of Madeleine Ekman's MovieCove titles, grouped by what they did on them; Peter Aalbæk Jensen shares the most, 15.

Directors

Writers

Actors

Composers and editors

Producers