Iris Otten

What are Iris Otten's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Iris Otten's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Boys (2014) · producer · free
  • Quality Time (2017) · producer · free
  • Take Me Somewhere Nice (2019) · producer · free
• Netflix1 title, browse their movies on this service
  • Ares (2020) · writer, producer

Subscription and free streaming for Iris Otten's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Everyone's Sorry Nowadays(2026)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  The Spectacular(2021)

  Show Producer

  Midcredits score: 63rd percentile of all shows63^rd
• 

  Ares(2020)

  Show Producer · Writer

  Midcredits score: 9th percentile of all shows9^th
• 

  Take Me Somewhere Nice(2019)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Quality Time(2017)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  A Private Affair(2016)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Riphagen(2016)

  Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Boys(2014)

  Producer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across their 8 MovieCove titles from 2014 to 2026.

Biggest box office

Riphagen (2016)

$270K worldwide

Highest rated

Boys (2014)

Midcredits 91^st

How do Iris Otten's films land?

Their typical MovieCove film has a Midcredits score in the 65^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

4 of their 8 titles are Mixed.

1214

• Universally Loved1
• Crowd Pleaser2
• Broadly Agreed1
• Mixed4

Most divisive · producer

Everyone's Sorry Nowadays (2026)

60^th percentile spread · 14% rated it 4 or lower

Most loved · producer

Boys (2014)

Midcredits 91^st · 80% liked

Reviewers score the dialogue 53/100 and the plot and story 50/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Iris Otten's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Iris Otten work with?

People who share at least 2 of Iris Otten's MovieCove titles, grouped by what they did on them; Sander van Meurs shares the most, 7.