- Producer and writer
- 5 on MovieCove
What are Rachel Clements' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 3 · Serious 0 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rachel Clements' films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Netflix (1).
Subscription and free streaming for Rachel Clements' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 87th percentile of all films (provisional, few ratings)
Kangaroo(2025)
Midcredits score: 65th percentile of all films
MaveriX(2022)
Midcredits score: 27th percentile of all shows
Finke: There and Back(2018)
Midcredits score: 86th percentile of all films
The Song Keepers(2017)
Midcredits score: 87th percentile of all films (provisional, few ratings)
Career shape
Across their 5 MovieCove titles from 2017 to 2025.
How do Rachel Clements' films land?
Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 86th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
2 of their 5 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Rachel Clements work with?
People who share at least 2 of Rachel Clements' MovieCove titles, grouped by what they did on them; Trisha Morton-Thomas shares the most, 5.
Composers
- Darren MiddletonShared titles: MaveriX (2022), Finke: There and Back (2018)See all 2 shared titles with Darren Middleton
- Simon WalbrookShared titles: MaveriX (2022), Finke: There and Back (2018)See all 2 shared titles with Simon Walbrook
Producers
- Trisha Morton-ThomasShared titles: Journey Home, David Gulpilil (2025), Kangaroo (2025), MaveriX (2022), Finke: There and Back (2018), The Song Keepers (2017)See all 5 shared titles with Trisha Morton-Thomas
- Bridget MayShared titles: Journey Home, David Gulpilil (2025), Kangaroo (2025), MaveriX (2022)See all 3 shared titles with Bridget May
- Isaac ElliottShared titles: MaveriX (2022), Finke: There and Back (2018)See all 2 shared titles with Isaac Elliott
- Meredith GarlickShared titles: Finke: There and Back (2018), The Song Keepers (2017)See all 2 shared titles with Meredith Garlick