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What are Elizabeth Stewart's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 0

Grounded 4 · Stylized 0 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
7
Contemplative
5
Tense
2
Joyful
3
Melancholic
3
Other
6

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elizabeth Stewart's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Elizabeth Stewart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Hope Valley: 1874(2026)

    Show Producer · Writer

    Midcredits score: 85th percentile of all shows
  • The Boathouse(2021)

    Writer

    Midcredits score: 13th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Love on Safari(2018)

    Writer

    Midcredits score: 68th percentile of all films
  • This Is High School(2016)

    Show Writer

    Midcredits score: 30th percentile of all shows (provisional, few ratings)
  • Emergency(2015)

    Show Producer

    Midcredits score: 69th percentile of all shows (provisional, few ratings)
  • Midcredits score: 50th percentile of all films
  • Midcredits score: 87th percentile of all shows
  • Edgemont(2000)

    Show Writer

    Midcredits score: 30th percentile of all shows

Career shape

Across their 9 MovieCove titles from 2000 to 2026.

By role

only this rolewith another role
Writing8 of 9: 7 only writing, 1 with another role · typical Midcredits score59thProducing2 of 9: 1 only producing, 1 with another role

By decade

2000s3 · crew2010s3 · crew2020s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Elizabeth Stewart's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 4

Approval · how many liked their films

59thpercentile
Typical film, the median of 4

Reach · how many have seen their films

38thpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Reviewers score the plot and story 39/100 in their films, across 4 reviewed titles; fans 50, detractors 22. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Elizabeth Stewart work with?

People who share at least 2 of Elizabeth Stewart's MovieCove titles, grouped by what they did on them; Sarah Cruise shares the most, 2.

Composers and editors

Producers

Mixed roles