André Franquin

What are André Franquin's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch André Franquin's films?

As of October 24, 2026, none of André Franquin's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for André Franquin's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Marsupilami(2025)

  Writer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Gaston Lagaffe(2018)

  Writer

  Midcredits score: 9th percentile of all films9^th
• 

  Spirou & Fantasio's Big Adventures(2018)

  Writer

  Midcredits score: 4th percentile of all films4^th
• 

  HOUBA! On the Trail of the Marsupilami(2012)

  Writer

  Midcredits score: 27th percentile of all films27^th
• 

  Fais gaffe à la gaffe!(1981)

  Writer

  Midcredits score: 1st percentile of all films1^st

Career shape

Across their 5 MovieCove titles from 1981 to 2025.

Biggest box office

Marsupilami (2025)

$53M worldwide

Highest rated

Marsupilami (2025)

Midcredits 53^rd

How do André Franquin's films land?

Their typical MovieCove film has a Midcredits score in the 9^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 14^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 2 are Universally Panned.

212

• Universally Panned2
• Crowd Pleaser1
• Mixed2

Most loved · writer

Marsupilami (2025)

Midcredits 53^rd · 51% liked

Reviewers score the dialogue 43/100 and the plot and story 34/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does André Franquin work with?

People who share at least 2 of André Franquin's MovieCove titles, grouped by what they did on them; Jamel Debbouze shares the most, 2.