Eiko Kûjô
- Producer
- 3 on MovieCove
What are Eiko Kûjô's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 0 · Dark 3
Grounded 0 · Stylized 0 · Heightened 3
Gentle 0 · Charged 1 · Intense 2
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 0 · Relentless 1
Casual 0 · Engaged 0 · Full focus 3
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 0 · Open-ended 0 · Ambiguous 3
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eiko Kûjô's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on MUBI (1).
Subscription and free streaming for Eiko Kûjô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Farewell to the Ark(1984)
Midcredits score: 83rd percentile of all films
Fruits of Passion(1981)
Midcredits score: 28th percentile of all films
Midcredits score: 93rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1971 to 1984.
How do Eiko Kûjô's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87th percentile for acclaim.
- 75th and up2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eiko Kûjô work with?
People who share at least 2 of Eiko Kûjô's MovieCove titles, grouped by what they did on them; Shūji Terayama shares the most, 3.
Directors
- Shūji TerayamaShared titles: Farewell to the Ark (1984), Fruits of Passion (1981), Throw Away Your Books, Rally in the Streets (1971)See all 3 shared titles with Shūji Terayama
Writers
- Rio KishidaShared titles: Farewell to the Ark (1984), Fruits of Passion (1981)See all 2 shared titles with Rio Kishida
Actors
- Hitomi TakahashiShared titles: Farewell to the Ark (1984), Fruits of Passion (1981)See all 2 shared titles with Hitomi Takahashi
- Renji IshibashiShared titles: Farewell to the Ark (1984), Fruits of Passion (1981)See all 2 shared titles with Renji Ishibashi
- Takeshi WakamatsuShared titles: Farewell to the Ark (1984), Fruits of Passion (1981)See all 2 shared titles with Takeshi Wakamatsu
Composers and cinematographers
- J.A. SeazerShared titles: Farewell to the Ark (1984), Fruits of Passion (1981), Throw Away Your Books, Rally in the Streets (1971)See all 3 shared titles with J.A. Seazer
- Tatsuo SuzukiShared titles: Farewell to the Ark (1984), Fruits of Passion (1981)See all 2 shared titles with Tatsuo Suzuki
