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Ming Beaver Kwei

Ming Beaver Kwei

Producer and writer · Born November 12, 1966 (59) · Hong Kong, British Crown Colony

Ming Beaver Kwei was born in November 1966 in Hong Kong. He is a producer and writer, known for The Meg (2018), Meg 2: The Trench (2023) and The One (2001).

Biography from IMDb.

Born
November 12, 1966 (59)
From
Hong Kong, British Crown Colony
Works as
Producer and writer
Titles
8 on MovieCove · 9 credits in all
TMDB popularity, last 38 days to Oct 27Up 9% in 30 days

What are Ming Beaver Kwei's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 3 · Wry 1 · Earnest 3

Light 5 · Serious 1 · Dark 1

Grounded 1 · Stylized 5 · Heightened 1

Gentle 1 · Charged 3 · Intense 3

Steady 2 · Shifting 3 · Whiplash 2

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2

A split, not a type: Slow burn 2 · Even-paced 2 · Relentless 3

Casual 4 · Engaged 3 · Full focus 0

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
4
Absurd
3
Joyful
2
Hopeful
3
Other
2

How their films end

  • Happy4
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ming Beaver Kwei's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ming Beaver Kwei's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • Moscow Mission(2023)

    Producer

    Midcredits score: 31st percentile of all films
  • Meg 2: The Trench(2023)

    Producer

    Midcredits score: 13th percentile of all films
  • Crazy Alien(2019)

    Writer

    Midcredits score: 35th percentile of all films
  • The Meg(2018)

    Producer

    Midcredits score: 29th percentile of all films
  • The Adventurers(2017)

    Producer

    Midcredits score: 27th percentile of all films
  • No Man's Land(2013)

    Story Consultant

    Midcredits score: 90th percentile of all films
  • My Lucky Star(2013)

    Producer · Story

    Midcredits score: 17th percentile of all films
  • Sophie's Revenge (not in the MovieCove catalog yet)(2009)

    Producer

  • The Painted Veil(2006)

    Producer

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 5 titles from 2006 to 2023.

By role

only this rolewith another role
Writing2 of 5: 1 only writing, 1 with another roleProducing4 of 5: 3 only producing, 1 with another role

By decade

2000s2 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ming Beaver Kwei's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 7

Approval · how many liked their films

23rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 25th to 49th4
  • Below 25th2

Reviewers score the dialogue 40/100 and the plot and story 37/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ming Beaver Kwei's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 62 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 18 · mildMedian of all films: 32
Profanity3 titlesmedian 37 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 27 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ming Beaver Kwei work with?

People who share at least 2 of Ming Beaver Kwei's MovieCove titles, grouped by what they did on them; Dean Georgaris shares the most, 2.

Writers

Actors

Composers

Producers