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Ernesto Díaz Espinoza

Ernesto Díaz Espinoza

Director, writer, editor and producer · Born June 10, 1978 (48) · Santiago, Chile

From Insolito Film Festival. The term "Latin American action cinema" may sound contradictory to many, even almost utopian; or at least that is how it seemed until the arrival of Ernesto Díaz Espinoza, who since his first film, "Kiltro", and throughout an extensive filmography, has given a fair place to genre cinema in our region. His cinema draws from many sources: martial arts, superheroes in "Mirageman", or exploitation flicks in "Mandrill" or "Bring me the Head of the Machine Gun Woman". But these films go beyond mere tribute; They are also due to the characteristics and idiosyncrasies of his country. A reinterpretation of certain elements closer to the Latin American feeling. This is how Díaz Espinoza's universe - one of cool criminals, fierce fighters, and women at arms - becomes one that operates under his own rules, a genre on its own. A talent worth discovering under a flurry of kicks and punches or a hail of bullets.

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Biography from TMDB.

Born
June 10, 1978 (48)
From
Santiago, Chile
Works as
Director, writer, editor and producer
Titles
14 on MovieCove · 18 credits in all
TMDB popularity, last 156 days to Oct 27Up 3% in 30 days

What are Ernesto Díaz Espinoza's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 4 · Dark 3

Grounded 3 · Stylized 9 · Heightened 2

A split, not a type: Gentle 3 · Charged 5 · Intense 6

Steady 5 · Shifting 6 · Whiplash 3

Straight-faced 6 · Some laughs 6 · Funny 2

Slow burn 1 · Even-paced 9 · Relentless 4

Casual 9 · Engaged 5 · Full focus 0

A split, not a type: Easy watch 7 · Affecting 4 · Heavy 3

Resolved 9 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Absurd
8
Thrilling
5
Dread
3
Contemplative
1
Other
5

How their films end · 2 with a twist

  • Happy2
  • Bittersweet7
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ernesto Díaz Espinoza's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Ernesto Díaz Espinoza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Diablo(2025)

    Director · Editor · Story

    Midcredits score: 41st percentile of all films
  • Affinity(2025)

    Editor

    Midcredits score: 58th percentile of all films
  • The Fist of the Condor(2023)

    Director · Editor · Executive Producer · Writer

    Midcredits score: 41st percentile of all films
  • Midcredits score: 38th percentile of all films
  • Invincible(2020)

    Editor

    Midcredits score: 8th percentile of all films
  • Midcredits score: 5th percentile of all films
  • Santiago Violenta (not in the MovieCove catalog yet)(2014)

    Director · Editor · Screenplay · as Matri Guest 7

  • Redeemer(2014)

    Director · Editor · Writer

    Midcredits score: 32nd percentile of all films
  • The Green Inferno(2013)

    Editor

    Midcredits score: 19th percentile of all films
  • Brillantes(2014)

    Editor

    Midcredits score: 5th percentile of all films (provisional, few ratings)
  • For Sale (not in the MovieCove catalog yet)(2013)

    Director

  • Maknum González (not in the MovieCove catalog yet)(2013)

    Camera Operator · Characters · Producer · as Detective 1

  • The ABCs of Death(2012)

    Director

    Midcredits score: 11th percentile of all films
  • Bring Me the Head of the Machine Gun Woman(2012)

    Director · Camera Operator · Editor · Screenplay

    Midcredits score: 29th percentile of all films
  • Mandrill(2008)

    Director · Editor · Screenplay · as John Colt (voice)

    Midcredits score: 34th percentile of all films
  • Mirageman(2006)

    Director · Camera Operator · Editor · Idea · Other · Screenplay · Story

    Midcredits score: 67th percentile of all films
  • Kiltro(2006)

    Director · Writer

    Midcredits score: 39th percentile of all films
  • El Tronador (not in the MovieCove catalog yet)(2003)

    Director · Editor · Executive Producer · Writer · as Bob Montero

Career shape

A full career of 14 titles from 2003 to 2025.

By role

only this rolewith another role
Acting4 of 14: 0 only acting, 4 with another roleDirecting12 of 14: 3 only directing, 9 with another role · typical Midcredits score34thWriting10 of 14: 0 only writing, 10 with another role · typical Midcredits score39thProducing3 of 14: 0 only producing, 3 with another roleEditing7 of 14: 1 only editing, 6 with another role · typical Midcredits score34thOther crew3 of 14: 0 only other crew, 3 with another role

14 titles, 10 with more than one role — directing and writing overlap on 9 of them.

By decade

2000s4 · 2 acting · 4 crew2010s8 · 2 acting · 8 crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ernesto Díaz Espinoza's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 14

Approval · how many liked their films

30thpercentile
Typical film, the median of 14

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 50th to 74th2
  • 25th to 49th7
  • Below 25th5

Reviewers score the atmosphere 51/100 and the pacing 46/100 in their films, across 12 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ernesto Díaz Espinoza's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 92 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 48 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ernesto Díaz Espinoza work with?

People who share at least 2 of Ernesto Díaz Espinoza's MovieCove titles, grouped by what they did on them; Marko Zaror shares the most, 9.

Writers

Actors

Composers and cinematographers

Producers