Skip to content
MovieCove
Aaron Fishman

Aaron Fishman

Producer · Born October 10, 1978 (48) · Chicago, Illinois, USA

Aaron Fishman was born on 10 October 1978 in Chicago, Illinois, USA. He is a producer and director, known for Getting Out (2002), Avoiding the Hollywood Hooker (2000) and Wild World of Spike (2006).

Biography from IMDb.

Born
October 10, 1978 (48)
From
Chicago, Illinois, USA
Works as
Producer
Titles
8 on MovieCove · 10 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 15% in 30 days

What are Aaron Fishman's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
24%
Self
22%
Bonds
21%
Power
16%
Ideas
12%
Morality
4%
Coming of age2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeHope2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Hopeful
3
Melancholic
3
Absurd
2
Contemplative
2
Other
4

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aaron Fishman's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Aaron Fishman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

  • Thirst Trap: The Fame. The Fantasy. The Fallout.(2025)

    Show 2 episodes · Executive Producer

    Midcredits score: 4th percentile of all shows

  • For All Humankind(2023)

    Executive Producer

    Midcredits score: 2nd percentile of all films

  • Space Titans: Musk, Bezos, Branson (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • The Crime of the Century(2021)

    Show 2 episodes · Executive Producer

    Midcredits score: 94th percentile of all shows

  • NASA & SpaceX: Journey to the Future(2020)

    Producer

    Midcredits score: 82nd percentile of all films

  • Marriage Boot Camp: Bridezillas(2013)

    Show Producer

    Midcredits score: 11th percentile of all shows

  • Preachers' Daughters(2013)

    Show Producer

    Midcredits score: 29th percentile of all shows

  • Dance Moms(2011)

    Show 2 episodes · Co-Executive Producer

    Midcredits score: 16th percentile of all shows

  • Black Irish(2007)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Alex Reymundo: One Funny Hick-Spanic (not in the MovieCove catalog yet)(2007)

    Director

Career shape

A full career of 7 titles from 2007 to 2025.

Biggest box office

Black Irish (2007)

$6.9K worldwide

Highest rated

The Crime of the Century (2021)

Midcredits 94th

By role

only this rolewith another role
Directing1 of 7: 1 only directing, 0 with another roleProducing6 of 7: 6 only producing, 0 with another role · typical Midcredits score16th

By decade

2000s2 · crew2010s1 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aaron Fishman's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 3

Approval · how many liked their films

79thpercentile
Typical film, the median of 3

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 3

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 25th to 49th1
  • Below 25th4

Shape of the crowd

3 of their 8 titles are Mixed.

  • Universally Loved1
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser1
  • Mixed3

Most divisive · producer

Dance Moms (2011)

95th percentile spread · 31% rated it 4 or lower

Most loved · producer

The Crime of the Century (2021)

Midcredits 94th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aaron Fishman work with?

People who share at least 2 of Aaron Fishman's MovieCove titles, grouped by what they did on them; Jessica Tomke shares the most, 3.

Editors

Producers