Fabrice Smadja

What are Fabrice Smadja's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fabrice Smadja's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Asylum: Twisted Horror and Fantasy Tales (2020) · composer · free
  • The Sonata (2018) · producer · free
• Peacock1 title, browse their movies on this service
  • Asylum: Twisted Horror and Fantasy Tales (2020) · composer
• Pluto TV1 title, browse their movies on this service
  • Asylum: Twisted Horror and Fantasy Tales (2020) · composer · free
• Prime Video1 title, browse their movies on this service
  • Asylum: Twisted Horror and Fantasy Tales (2020) · composer

Subscription and free streaming for Fabrice Smadja's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Eugénie Grandet(2021)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Asylum: Twisted Horror and Fantasy Tales(2020)

  Composer

  Midcredits score: 49th percentile of all films49^th
• 

  The Sonata(2018)

  Producer

  Midcredits score: 16th percentile of all films16^th
• 

  The Royal Exchange(2017)

  Producer

  Midcredits score: 62nd percentile of all films62^nd

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2021.

Biggest box office

The Royal Exchange (2017)

$3.1M worldwide

Highest rated

The Royal Exchange (2017)

Midcredits 62^nd

How do Fabrice Smadja's films land?

Their typical MovieCove film has a Midcredits score in the 52^nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 40^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Cult Classic1
• Crowd Pleaser2
• Mixed1

Most divisive · composer

Asylum: Twisted Horror and Fantasy Tales (2020)

74^th percentile spread · 21% rated it 4 or lower

Most loved · producer

The Royal Exchange (2017)

Midcredits 62^nd · 57% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fabrice Smadja work with?

People who share at least 2 of Fabrice Smadja's MovieCove titles, grouped by what they did on them; Julien Loeffler shares the most, 3.