Skip to content
MovieCove
Lori Evans Taylor

Lori Evans Taylor

Writer, director and producer · Born March 12, 1975 (51) · Fredonia, New York, USA

Lori Evans Taylor (born March 12, 1975) is an American filmmaker and actress. She directed a horror film Bed Rest (2022) and wrote the horror film Cellar Door (2024). She is best known for writing Final Destination Bloodlines (2025).

Biography from TMDB.

Born
March 12, 1975 (51)
From
Fredonia, New York, USA
Works as
Writer, director and producer
Titles
5 on MovieCove · 7 credits in all
TMDB popularity, last 155 days to Oct 26Down 15% in 30 days

What are Lori Evans Taylor's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Dread
3
Joyful
2
Absurd
2
Melancholic
2
Other
2

How their films end · 3 with a twist

  • Happy1
  • Bittersweet1
  • Tragic1
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lori Evans Taylor's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Lori Evans Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • Final Destination 7 (not in the MovieCove catalog yet)(2028)

    Writer

  • Final Destination: Bloodlines(2025)

    Screenplay · Story

    Midcredits score: 73rd percentile of all films
  • Cellar Door(2024)

    Writer

    Midcredits score: 13th percentile of all films
  • Bed Rest(2022)

    Director · Producer · Writer

    Midcredits score: 16th percentile of all films
  • Welcome Home(2018)

    Show Producer

    Midcredits score: 81st percentile of all shows (provisional, few ratings)
  • Pranked(2009)

    Show Producer

    Midcredits score: 8th percentile of all shows
  • I Am Still Alive (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 5 titles, 3 of them dated from 2023 to 2025.

By role

only this rolewith another role
Directing1 of 5: 0 only directing, 1 with another roleWriting5 of 5: 4 only writing, 1 with another roleProducing1 of 5: 0 only producing, 1 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Lori Evans Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 16th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 3

Approval · how many liked their films

11thpercentile
Typical film, the median of 3

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • Below 25th3

Reviewers score the dialogue 37/100 and the plot and story 39/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lori Evans Taylor's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 64 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 16 · mildMedian of all films: 32
Profanity3 titlesmedian 64 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 79 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Lori Evans Taylor work with?

People who share at least 2 of Lori Evans Taylor's MovieCove titles; Craig Perry shares the most, 2.