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Kurt Oldman

Kurt Oldman

Composer · Solothurn, Switzerland

Kurt Oldman is a Swiss born composer known for his prolific hybrid orchestral, razor sharp electronic, heart pounding industrial, provocative dark distorted and epic emotional scores for film, television and video games. His bold innovative commercial voice can be heard on a variety of shows with universal appeal such as Marvel's Guardians of The Galaxy, Paramount's Monster Trucks, HBO's Game of Thrones and CBS's The Good Wife. While Kurt has a successful career scoring for film and television, his versatility and fearless approach has led to many opportunities working with major brands including Samsung, Taylor Made, Everlast, Konami and Beachbody. Kurt Oldman's vast body of work is highly marketable and has been licensed in countless television episodes and documentaries including Storage Wars, The Dog Whisperer, Dateline NBC, The Daily Show and Inside The NFL. He has also published several albums with Universal Music's Killer Tracks. Kurt studied at the Conservatory of Music Switzerland, the Swiss Jazz School Lucerne, the University of California Los Angeles and was a select participant of BMI's esteemed conducting workshop. He lives in Los Angeles, California with his wife and two cats.

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Biography from TMDB.

From
Solothurn, Switzerland
Works as
Composer
Titles
14 on MovieCove · 30 credits in all

What are Kurt Oldman's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 9 · Stylized 4 · Heightened 1

Gentle 2 · Charged 9 · Intense 3

Steady 4 · Shifting 10 · Whiplash 0

Straight-faced 11 · Some laughs 2 · Funny 1

Slow burn 6 · Even-paced 6 · Relentless 2

Casual 5 · Engaged 7 · Full focus 2

Resolved 10 · Open-ended 1 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
5
Melancholic
4
Thrilling
4
Warm
3
Other
7

How their films end · 6 with a twist

  • Happy5
  • Bittersweet4
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kurt Oldman's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Kurt Oldman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 14 with a MovieCove page.

  • The Sacred Society (not in the MovieCove catalog yet)(2024)

    Composer

  • Arranged Marriage(2022)

    Composer

    Midcredits score: 24th percentile of all films (provisional, few ratings)
  • Deadly Misconduct (not in the MovieCove catalog yet)(2021)

    Composer

  • The House on the Hill(2019)

    Composer

    Midcredits score: 8th percentile of all films
  • Midcredits score: 17th percentile of all films
  • Twin Betrayal (not in the MovieCove catalog yet)(2018)

    Composer

  • Hacker(2017)

    Composer

    Midcredits score: 56th percentile of all films
  • Deadly Delusion (not in the MovieCove catalog yet)(2018)

    Composer

  • Midcredits score: 73rd percentile of all films
  • Turbulence(2016)

    Composer

    Midcredits score: 17th percentile of all films
  • House of Purgatory(2016)

    Composer

    Midcredits score: 4th percentile of all films
  • Voiceless (not in the MovieCove catalog yet)(2016)

    Composer

  • Stripped (not in the MovieCove catalog yet)(2016)

    Composer

  • The Mourning(2015)

    Composer

    Midcredits score: 41st percentile of all films
  • 6 Ways to Die(2015)

    Composer

    Midcredits score: 8th percentile of all films
  • Amazing Ape(2015)

    Composer

    Midcredits score: 6th percentile of all films (provisional, few ratings)
  • Killer Holiday(2013)

    Composer

    Midcredits score: 3rd percentile of all films
  • Tapia (not in the MovieCove catalog yet)(2013)

    Composer

  • Midcredits score: 7th percentile of all films
  • Callous (not in the MovieCove catalog yet)(2009)

    Musical

  • Neighbor (not in the MovieCove catalog yet)(2009)

    Composer

  • Stars and Their Guitars: A History of the Electric Guitar (not in the MovieCove catalog yet)(2008)

    Composer

  • Holiday Baggage(2008)

    Composer

    Midcredits score: 17th percentile of all films
  • Babysitter Wanted(2007)

    Composer

    Midcredits score: 24th percentile of all films
  • Chill (not in the MovieCove catalog yet)(2007)

    Composer

  • American Crime (not in the MovieCove catalog yet)(2004)

    Composer

  • The Dead of Night (not in the MovieCove catalog yet)(2004)

    Composer

  • Black Cat (not in the MovieCove catalog yet)(2004)

    Composer

  • Dead Wait (not in the MovieCove catalog yet)(2003)

    Composer

  • One Planet (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 26 titles, 25 of them dated from 2003 to 2024.

By role

only this rolewith another role
Writing1 of 26: 1 only writing, 0 with another roleMusic25 of 26: 25 only music, 0 with another role · typical Midcredits score17th

By decade

2000s9 · crew2010s13 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kurt Oldman's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 14

Approval · how many liked their films

18thpercentile
Typical film, the median of 14

Reach · how many have seen their films

47thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 50th to 74th2
  • 25th to 49th1
  • Below 25th11

Reviewers score the sound and music 34/100 in their films, across 10 reviewed titles; fans 54, detractors 27. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kurt Oldman work with?

People who share at least 2 of Kurt Oldman's MovieCove titles, grouped by what they did on them; Nadeem Soumah shares the most, 7.

Directors

Actors

Editors

Producers