- Producer and writer
- 5 on MovieCove
What are Alex Barder's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 3
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 2 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 3 · Relentless 1
A split, not a type: Casual 3 · Engaged 1 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 2
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alex Barder's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (3).
Subscription and free streaming for Alex Barder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Crazy Enough(2012)
Midcredits score: 3rd percentile of all films
Freerunner(2011)
Midcredits score: 14th percentile of all films
The Cell 2(2009)
Midcredits score: 1st percentile of all films
Ring Around the Rosie(2006)
Midcredits score: 3rd percentile of all films
Isn't She Great(2000)
Midcredits score: 25th percentile of all films
Career shape
Across their 5 MovieCove titles from 2000 to 2012.
How do Alex Barder's films land?
Their typical MovieCove film has a Midcredits score in the 3rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 7th percentile for acclaim.
- 25th to 49th1
- Below 25th4
Shape of the crowd
3 of their 5 titles are Mixed.
- Universally Panned1
- Divisive1
- Mixed3
Reviewers score the dialogue 36/100 and the plot and story 21/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alex Barder work with?
People who share at least 2 of Alex Barder's MovieCove titles, grouped by what they did on them; Lawrence Silverstein shares the most, 3.
Composers and editors
- John ConiglioShared titles: The Cell 2 (2009), Ring Around the Rosie (2006)See all 2 shared titles with John Coniglio
- John MassariShared titles: The Cell 2 (2009), Ring Around the Rosie (2006)See all 2 shared titles with John Massari
Producers
- Lawrence SilversteinShared titles: Freerunner (2011), The Cell 2 (2009), Ring Around the Rosie (2006)See all 3 shared titles with Lawrence Silverstein
- Michael C. CuddyShared titles: Freerunner (2011), The Cell 2 (2009)See all 2 shared titles with Michael C. Cuddy
