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Jake Pushinsky

Editor, also producer · Born February 9, 1978 (48) · San Francisco, California, USA

Jake Pushinsky was born and raised in San Francisco. Son of critically acclaimed photographer Ted Pushinsky, Jake always knew he'd make his living in the arts. Soon after college, he got his start in the film business as an assistant music editor on such studio films as Against the Ropes, The Rookie, and Uprising. Early on in his career, Jake met film director Dito Montiel, and the two found themselves immersed in the idea of telling the autobiographical account of Dito's childhood in Astoria, NY in the 1980's, with Dito to direct and Jake to edit. This visceral and beautifully crafted film, A Guide to Recognizing Your Saints, starring Shia Labeouf, Robert Downey Jr., Channing Tatum and Rosario Dawson, became the award winning Sundance hit of 2006, garnering both the 'Best Director' and 'Best Ensemble Cast' awards. Jake then went on to cut the hit jazz documentary Chops, which premiered at the 2007 Tribeca Film Festival. Jake and Dito teamed up again for Universal Focus' action thriller Fighting, starring Terrence Howard. Soon after, Jake landed the much-anticipated James Franco biopic, Howl, about the life and art of controversial poet Allen Ginsberg, directed by Oscar winners Rob Epstein and Jeffrey Friedman. Howl was chosen out of hundreds of films to be the opening night film at the 2010 Sundance Film Festival. 2011 brought more accolades for Jake, including having a film in each of the two most sought after film festivals. The first was another Montiel directed film called The Son of No One, starring Al Pacino, Channing Tatum, Ray Liotta and Katie Holmes, and it was chosen as the closing night film at Sundance. The other was director Jamie Linden's 10 Years, starring Channing Tatum, Justin Long, Rosario Dawson and Ron Livingston, which premiered at Toronto just a few months later. Jake and Dito continued their collaboration with Empire State, starring Dwayne Johnson, Liam Hemsworth and Emma Roberts; Boulevard, starring Robin Williams, Kathy Baker and Bob Odenkirk, which premiered at the 2014 Tribeca Film Festival to rave reviews; and Man Down starring Kate Mara, Gary Oldman, and Shia LaBeouf. In 2014 Jake worked with directors Epstein and Friedman again to tell the history of the Academy Awards with the documentary, And The Oscar Goes To... which now plays every year just before the Awards. Jake teamed up with Oscar nominated director, Jason Cohen, in 2016 to cut the feature documentary film Silicon Cowboys, which explores the billion-dollar empire of Compaq computers and how it overcame all odds and altered the course of the computing world. The film premiered at SXSW, where it sold for theatrical distribution. In January, 2017 Jake was brought on to edit the two part documentary event, What's My Name - Muhammad Ali, for HBO, directed by Antoine Fuqua, and produced by Oscar winner, Glen Zipper. It will premiere on HBO in Spring of 2019. Jake is currently cutting the highly sought after Linda Ronstadt documentary with directors Epstein and Friedman, for CNN Films.

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Biography from IMDb.

Born
February 9, 1978 (48)
From
San Francisco, California, USA
Works as
Editor, also producer
Titles
16 on Motif · 18 credits in all
TMDB popularity, last 157 days to Oct 28Down 37% in 30 days

What are Jake Pushinsky's films like?

Across their 13 Motif titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 2 · Dark 5

Grounded 8 · Stylized 4 · Heightened 0

A split, not a type: Gentle 6 · Charged 4 · Intense 2

Steady 10 · Shifting 1 · Whiplash 1

Straight-faced 9 · Some laughs 3 · Funny 0

Slow burn 10 · Even-paced 1 · Relentless 1

Casual 5 · Engaged 6 · Full focus 1

A split, not a type: Easy watch 5 · Affecting 2 · Heavy 5

Resolved 8 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
7
Contemplative
5
Hopeful
4
Warm
4
Other
8

How their films end · 1 with a twist

  • Happy1
  • Bittersweet9
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jake Pushinsky's films?

As of October 24, 2026, 12 of their 16 Motif titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Jake Pushinsky's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 16 with a Motif page.

Career shape

A full career of 17 titles from 2006 to 2022.

By role

only this rolewith another role
Editing17 of 17: 17 only editing, 0 with another role · typical Motif score40th

By decade

2000s3 · crew2010s10 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Jake Pushinsky's films land?

Their typical Motif film has a Motif score in the 40th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 12

Approval · how many liked their films

46thpercentile
Typical film, the median of 12

Reach · how many have seen their films

80thpercentile
Typical film, the median of 12

Motif score across 16 titles, by percentile

  • 75th and up5
  • 50th to 74th1
  • 25th to 49th7
  • Below 25th3

Shape of the crowd

5 of their 16 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic3
  • Crowd Pleaser5
  • Broadly Agreed3
  • Mixed4

Reviewers score the pacing 45/100 in their films, across 12 reviewed titles; fans 57, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jake Pushinsky's work okay for kids?

Across a limited sample of up to 4 Motif titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 29 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jake Pushinsky work with?

People who share at least 2 of Jake Pushinsky's Motif titles, grouped by what they did on them; Dito Montiel shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers