Skip to content
Motif
Rod Brown

Rod Brown

Producer

BAFTA Award winner

Works as
Producer
Titles
6 on Motif · 9 credits in all

What are Rod Brown's films like?

Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
30%
Self
24%
Society
20%
Power
15%
Morality
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0

A split, not a type: Casual 1 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
2
Warm
1
Contemplative
1
Hopeful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rod Brown's films?

As of October 24, 2026, 4 of their 6 Motif titles stream on a subscription or free service, most on Prime Video (2).

Subscription and free streaming for Rod Brown's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a Motif page.

  • The Amazing Maurice(2022)

    Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 89th percentile of all films
  • Midcredits score: 85th percentile of all films (provisional, few ratings)
  • Good Omens(2019)

    Show 6 episodes · Executive Producer

    Midcredits score: 89th percentile of all shows
  • Going Postal (not in the Motif catalog yet)(2010)

    Show 2 episodes · Executive Producer

  • The Color of Magic(2008)

    Show 2 episodes · Producer

    Midcredits score: 48th percentile of all shows
  • Hogfather (not in the Motif catalog yet)(2007)

    Producer

  • Hogfather (not in the Motif catalog yet)(2006)

    Show 2 episodes · Producer

  • Vertical Limit(2000)

    as Ali Hasan

    Midcredits score: 38th percentile of all films

Career shape

A full career of 6 titles from 2000 to 2019.

Film career

By role

only this rolewith another role
Acting1 of 6: 1 only acting, 0 with another roleProducing5 of 6: 5 only producing, 0 with another role

By decade

2000s4 · 1 acting · 3 crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

Won a BAFTA Award in 2007, Interactivity.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Rod Brown's films land?

Their typical Motif film has a Midcredits score in the 67th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 3

Approval · how many liked their films

82ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 25th to 49th3

Shape of the crowd

None of their 6 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rod Brown work with?

People who share at least 2 of Rod Brown's Motif titles, grouped by what they did on them; John Brocklehurst shares the most, 3.

Writers

Actors

Producers