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Louis Phillips

Producer

Works as
Producer
Titles
21 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 21% in 30 days

What are Louis Phillips' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

Themes

share of theme weight
Morality
39%
Ideas
17%
Bonds
14%
Survival
14%
Self
9%
Society
7%
Truth3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 2 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 3

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 2 · Full focus 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
4
Dread
4
Hopeful
2
Contemplative
2
Other
2

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louis Phillips' films?

As of October 24, 2026, 15 of their 21 MovieCove titles stream on a subscription or free service, most on Pluto TV (5).

Also on these channels

Subscription and free streaming for Louis Phillips' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 21 with a MovieCove page.

  • Downton Abbey: The Grand Finale(2025)

    Executive In Charge Of Production

    Midcredits score: 87th percentile of all films

  • Spoiler Alert(2022)

    Executive In Charge Of Production

    Midcredits score: 89th percentile of all films

  • Half Brothers(2020)

    Executive In Charge Of Production

    Midcredits score: 48th percentile of all films

  • Irresistible(2020)

    Executive In Charge Of Production

    Midcredits score: 52nd percentile of all films

  • Johnny English Strikes Again(2018)

    Executive In Charge Of Production

    Midcredits score: 48th percentile of all films

  • Darkest Hour(2017)

    Executive In Charge Of Production

    Midcredits score: 93rd percentile of all films

  • Fifty Shades of Grey(2015)

    Executive In Charge Of Production

    Midcredits score: 12th percentile of all films

  • Black Sea(2014)

    Executive In Charge Of Production

    Midcredits score: 57th percentile of all films

  • Kill the Messenger(2014)

    Executive In Charge Of Production

    Midcredits score: 77th percentile of all films

  • What to Expect When You're Expecting(2012)

    Co-Producer

    Midcredits score: 31st percentile of all films

  • The Hunger Games(2012)

    Co-Producer

    Midcredits score: 90th percentile of all films

  • Shutter Island(2010)

    Executive Producer

    Midcredits score: 99th percentile of all films

  • License to Wed(2007)

    Co-Producer

    Midcredits score: 17th percentile of all films

  • Zodiac(2007)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Pathfinder(2007)

    Producer

    Midcredits score: 19th percentile of all films

  • Resurrecting the Champ(2007)

    Producer

    Midcredits score: 66th percentile of all films

  • Miss Potter(2006)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • Urban Legends: Bloody Mary(2005)

    Producer

    Midcredits score: 5th percentile of all films

  • Basic(2003)

    Co-Producer

    Midcredits score: 58th percentile of all films

  • Holes(2003)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • Kiss the Girls(1997)

    Production Accountant

    Midcredits score: 64th percentile of all films

Career shape

A full career of 19 titles from 1997 to 2025.

Biggest box office

Shutter Island (2010)

$295M worldwide

Highest rated

Shutter Island (2010)

Midcredits 99th

By role

only this rolewith another role
Producing9 of 19: 9 only producing, 0 with another role · typical Midcredits score78thOther crew10 of 19: 10 only other crew, 0 with another role · typical Midcredits score61st

By decade

1990s1 · crew2000s6 · crew2010s8 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Louis Phillips' films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 21; across their 7 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 7

Approval · how many liked their films

70thpercentile
Typical film, the median of 7

Reach · how many have seen their films

94thpercentile
Typical film, the median of 7

Midcredits score across 21 titles, by percentile

  • 75th and up9
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

13 of their 21 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser13
  • Broadly Agreed2
  • Mixed4

Most divisive · producer

Urban Legends: Bloody Mary (2005)

57th percentile spread · 53% rated it 4 or lower

Most loved · producer

Shutter Island (2010)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Louis Phillips' work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles26–83 · median 79 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles12–35 · median 26 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles11–78 · median 34 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 32 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 53 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Louis Phillips work with?

People who share at least 2 of Louis Phillips' MovieCove titles, grouped by what they did on them; Mike Medavoy shares the most, 6.

Writers

Actors

Producers