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What are Chao Lin's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 2 · Dark 3

A split, not a type: Grounded 2 · Stylized 4 · Heightened 5

A split, not a type: Gentle 3 · Charged 3 · Intense 5

A split, not a type: Steady 6 · Shifting 2 · Whiplash 3

Straight-faced 4 · Some laughs 4 · Funny 3

Slow burn 2 · Even-paced 7 · Relentless 2

Casual 8 · Engaged 3 · Full focus 0

Resolved 10 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Absurd
4
Thrilling
3
Melancholic
3
Dread
2
Other
7

How their films end

  • Happy6
  • Bittersweet1
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chao Lin's films?

As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Chao Lin's titles on MovieCove; rent and buy are not counted.

Filmography

11 credits, 11 with a MovieCove page.

  • The Amorous Lotus Pan(1994)

    Cinematographer

    Midcredits score: 24th percentile of all films (provisional, few ratings)
  • City War(1988)

    Cinematographer

    Midcredits score: 60th percentile of all films
  • Huang di bao zhong(1983)

    Cinematographer

    Midcredits score: 35th percentile of all films (provisional, few ratings)
  • Mad Mad 83(1983)

    Cinematographer

    Midcredits score: 26th percentile of all films (provisional, few ratings)
  • The Enchantress(1983)

    Cinematographer

    Midcredits score: 21st percentile of all films
  • Challenge of the Gamesters(1981)

    Cinematographer

    Midcredits score: 47th percentile of all films (provisional, few ratings)
  • Five Superfighters(1979)

    Cinematographer

    Midcredits score: 60th percentile of all films
  • Ma fung gwai kuen(1979)

    Cinematographer

    Midcredits score: 14th percentile of all films
  • The Golden Lotus(1974)

    Cinematographer

    Midcredits score: 34th percentile of all films
  • Facets of Love(1973)

    Cinematographer

    Midcredits score: 44th percentile of all films
  • Feng liu yun shi(1973)

    Cinematographer

    Midcredits score: 54th percentile of all films (provisional, few ratings)

Career shape

Across their 11 MovieCove titles from 1973 to 1994.

By role

only this rolewith another role
Cinematography11 of 11: 11 only cinematography, 0 with another role · typical Midcredits score35th

By decade

1970s5 · crew1980s5 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Chao Lin's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 11

Approval · how many liked their films

27thpercentile
Typical film, the median of 11

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 50th to 74th3
  • 25th to 49th5
  • Below 25th3

Reviewers score the cinematography 53/100 in their films, across 3 reviewed titles; fans 63, detractors 40. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chao Lin work with?

People who share at least 2 of Chao Lin's MovieCove titles, grouped by what they did on them; Hsing-Lung Chiang shares the most, 6.

Directors

Writers

Actors

Composers and editors

Producers