Shin Yasuda
- Producer
- 3 on MovieCove
What are Shin Yasuda's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shin Yasuda's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Netflix (1).
Subscription and free streaming for Shin Yasuda's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Making of a Japanese(2023)
Midcredits score: 90th percentile of all films
Yama Onna(2022)
Midcredits score: 54th percentile of all films
Midcredits score: 81st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2019 to 2023.
How do Shin Yasuda's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shin Yasuda work with?
People who share at least 2 of Shin Yasuda's MovieCove titles, grouped by what they did on them; Eric Nyari shares the most, 3.
Directors
- Ema Ryan YamazakiShared titles: The Making of a Japanese (2023), Koshien: Japan's Field of Dreams (2019)See all 2 shared titles with Ema Ryan Yamazaki
Producers
- Eric NyariShared titles: The Making of a Japanese (2023), Yama Onna (2022), Koshien: Japan's Field of Dreams (2019)See all 3 shared titles with Eric Nyari
Mixed roles
- Michael CrommettShared titles: The Making of a Japanese (2023), Koshien: Japan's Field of Dreams (2019)See all 2 shared titles with Michael Crommett
