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Frank Hannah

Frank Hannah

Writer · Born February 15, 1971 (55)

Born
February 15, 1971 (55)
Works as
Writer
Titles
4 on MovieCove · 7 credits in all
TMDB popularity, last 37 days to Oct 26Up 65% in 30 days

What are Frank Hannah's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 1

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Thrilling
2
Romantic
1
Bittersweet
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank Hannah's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Frank Hannah's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Alphas (not in the MovieCove catalog yet)(2026)

    Executive Producer · Writer

  • Hunt to Kill(2010)

    Writer

    Midcredits score: 18th percentile of all films
  • Damage(2009)

    Screenplay

    Midcredits score: 33rd percentile of all films
  • Crash and Burn(2008)

    Writer

    Midcredits score: 9th percentile of all films
  • The Cooler(2003)

    Screenplay · as Dealer #2

    Midcredits score: 78th percentile of all films
  • Merciless (not in the MovieCove catalog yet)

    Screenplay

  • Princess (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 7 titles, 5 of them dated from 2003 to 2026.

By role

only this rolewith another role
Acting1 of 7: 0 only acting, 1 with another roleWriting7 of 7: 5 only writing, 2 with another roleProducing1 of 7: 0 only producing, 1 with another role

By decade

2000s3 · 1 acting · 3 crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Frank Hannah's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 4

Approval · how many liked their films

24thpercentile
Typical film, the median of 4

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th1
  • Below 25th2

Reviewers score the dialogue 34/100 and the plot and story 36/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Frank Hannah work with?

People who share at least 2 of Frank Hannah's MovieCove titles, grouped by what they did on them; Steve Austin shares the most, 2.

Actors

Cinematographers and editors

Producers