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Mark Tinkler

Producer

Mark Tinkler has been a Producer/Director and Archive Producer since the mid-80s working on a range of projects for both international broadcast & theatrical distribution - genres include documentaries, dramas, Light Entertainment, Sport and Music. Starting as the only male Production Assistant in British TV at the time at Channel 4, Mark moved to London Weekend TV establishing himself as a film researcher on such popular shows as "Clive James on TV, "Alright on the Night" & "Aspel & Co" before moving on to other companies. He has produced/directed for several companies including BBC, Carlton TV & LWT and worked on archive for a number of independent TV & film companies.

Read more

Biography from IMDb.

Works as
Producer
Titles
6 on MovieCove · 11 credits in all

What are Mark Tinkler's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
40%
Self
16%
Society
12%
Ideas
12%
Power
12%
Morality
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 4 · Stylized 0 · Heightened 0

A split, not a type: Gentle 2 · Charged 0 · Intense 2

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 0 · Relentless 1

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
3
Melancholic
3
Tense
2
Contemplative
3
Hopeful
2
Other
2

How their films end

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Tinkler's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mark Tinkler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 6 with a MovieCove page.

  • 7/7: The London Bombings(2025)

    Show Producer

    Midcredits score: 90th percentile of all shows
  • Midcredits score: 89th percentile of all films
  • Midcredits score: 40th percentile of all films
  • Midcredits score: 92nd percentile of all films
  • Auschwitz Untold in Color(2020)

    Show Producer

    Midcredits score: 82nd percentile of all shows
  • Chasing the Equinox(2020)

    Producer

    Midcredits score: 62nd percentile of all films
  • Keep on Running: 50 Years of Island Records (not in the MovieCove catalog yet)(2009)

    Producer

  • Marc Bolan: The Final Word (not in the MovieCove catalog yet)(2007)

    Director

  • Legacy: A Personal History of Barry Sheene (not in the MovieCove catalog yet)(2007)

    Director

  • In Search of James Bond with Jonathan Ross (not in the MovieCove catalog yet)(1995)

    Producer

  • Candide (not in the MovieCove catalog yet)(1988)

    as Maximilian

Career shape

A full career of 5 titles from 1988 to 2009.

By role

only this rolewith another role
Acting1 of 5: 1 only acting, 0 with another roleDirecting2 of 5: 2 only directing, 0 with another roleProducing2 of 5: 2 only producing, 0 with another role

By decade

1980s1 · acting1990s1 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mark Tinkler's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 4

Approval · how many liked their films

70thpercentile
Typical film, the median of 4

Reach · how many have seen their films

60thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark Tinkler work with?

People who share at least 2 of Mark Tinkler's MovieCove titles, grouped by what they did on them; Neil Grant shares the most, 4.

Directors

Editors

Producers