Daniele Abeille
- Producer
- 4 on MovieCove
What are Daniele Abeille's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 1 · Dark 3
Grounded 0 · Stylized 4 · Heightened 0
Gentle 0 · Charged 0 · Intense 4
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 2
A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniele Abeille's films?
As of October 24, 2026, none of Daniele Abeille's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Daniele Abeille's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
The Body(2024)
Midcredits score: 61st percentile of all films
Midcredits score: 77th percentile of all films
Dampyr(2022)
Midcredits score: 23rd percentile of all films
The Man on the Road(2022)
Midcredits score: 49th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2022 to 2024.
Biggest box office
The Boy with Pink Trousers (2024)
Highest rated
The Boy with Pink Trousers (2024)
Most popular right now
Dampyr (2022)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Daniele Abeille's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniele Abeille work with?
People who share at least 2 of Daniele Abeille's MovieCove titles, grouped by what they did on them; Gianluca Leurini shares the most, 4.
Composers
- Francesco CerasiShared titles: The Body (2024), The Boy with Pink Trousers (2024)See all 2 shared titles with Francesco Cerasi
Producers
- Gianluca LeuriniShared titles: The Body (2024), The Boy with Pink Trousers (2024), Dampyr (2022), The Man on the Road (2022)See all 4 shared titles with Gianluca Leurini
- Roberto ProiaShared titles: The Body (2024), The Boy with Pink Trousers (2024), Dampyr (2022), The Man on the Road (2022)See all 4 shared titles with Roberto Proia
- Tarak Ben AmmarShared titles: The Body (2024), The Boy with Pink Trousers (2024), Dampyr (2022)See all 3 shared titles with Tarak Ben Ammar
