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Anna Marsh

Anna Marsh

Producer

Anna Marsh is the CEO of StudioCanal, and Deputy CEO and chief content officer of Canal+ Group.

Biography from TMDB.

Works as
Producer
Titles
21 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 9% in 30 days

What are Anna Marsh's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy5 titlesTypical Midcredits score: 42nd percentile
: browse their Comedy movies
Biography4 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Biography movies
Action3 titlesTypical Midcredits score: 21st percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 37th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
31%
Self
16%
Morality
14%
Survival
13%
Power
13%
Ideas
7%
Society
6%
Family bonds6 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeCorruption2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 5 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 7 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 8 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 8 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 5 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 9 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 11 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Dread
5
Melancholic
6
Thrilling
4
Bittersweet
4
Other
18

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteCathartic4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy6
  • Bittersweet6
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Marsh's films?

As of October 24, 2026, 14 of their 21 MovieCove titles stream on a subscription or free service, most on Hulu (4).

Also on these channels

Subscription and free streaming for Anna Marsh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 21 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Pressure(2026)

    Executive Producer

    Midcredits score: 93rd percentile of all films

  • How to Make a Killing(2026)

    Executive Producer

    Midcredits score: 59th percentile of all films

  • Cold Storage(2026)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Elsinore(2026)

    Producer

    Midcredits score: 92nd percentile of all films

  • Ink(2026)

    Producer

    Midcredits score: 74th percentile of all films

  • L'enfant du désert(2026)

    Producer

    Midcredits score: 57th percentile of all films

  • Crazy Old Lady(2025)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Kangaroo(2025)

    Executive Producer

    Midcredits score: 65th percentile of all films

  • La mitad de Ana (not in the MovieCove catalog yet)(2025)

    Co-Producer

  • Paddington in Peru(2024)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • We Live in Time(2024)

    Executive Producer

    Midcredits score: 84th percentile of all films

  • Paris Has Fallen(2024)

    Show 8 episodes · Executive Producer

    Midcredits score: 33rd percentile of all shows

  • Back to Black(2024)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Something in the Water(2024)

    Executive Producer

    Midcredits score: 3rd percentile of all films

  • Wicked Little Letters(2023)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • Role Play(2024)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Cat Person(2023)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • Retribution(2023)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • How to Survive Without Mum(2023)

    Producer

    Midcredits score: 13th percentile of all films

  • What's Love Got to Do with It?(2022)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • The Railway Children Return(2022)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Calls(2021)

    Show Producer

    Midcredits score: 75th percentile of all shows

  • Le Show de Noël Must Go On (not in the MovieCove catalog yet)(2020)

    Producer

  • Fonda (not in the MovieCove catalog yet)

    Executive Producer

  • The Midnight Library (not in the MovieCove catalog yet)

    Executive Producer

  • The Road Home (not in the MovieCove catalog yet)

    Executive Producer

  • What Happens at Night (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 23 titles, 19 of them dated from 2020 to 2026.

Biggest box office

Paddington in Peru (2024)

$211M worldwide

Highest rated

Elsinore (2026)

Midcredits 92nd

Most popular right now

Paris Has Fallen (2024)

By role

only this rolewith another role
Producing23 of 23: 23 only producing, 0 with another role · typical Midcredits score42nd

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anna Marsh's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 19; across their 15 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 15

Approval · how many liked their films

55thpercentile
Typical film, the median of 15

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 15

Midcredits score across 21 titles, by percentile

  • 75th and up5
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th5

Shape of the crowd

9 of their 21 titles are Crowd Pleasers.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser9
  • Broadly Agreed6
  • Mixed4

Most divisive · producer

Ink (2026)

87th percentile spread · 24% rated it 4 or lower

Most loved · producer

Pressure (2026)

Midcredits 93rd · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anna Marsh's work okay for kids?

Across up to 12 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles28–72 · median 54 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity12 titles10–50 · median 24 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles47–85 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs11 titles11–47 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles37–71 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Anna Marsh work with?

People who share at least 2 of Anna Marsh's MovieCove titles, grouped by what they did on them; Ron Halpern shares the most, 11.

Actors

Producers