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Alberto Matesanz Díaz

Alberto Matesanz Díaz

Composer

Works as
Composer
Titles
4 on MovieCove · 5 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Alberto Matesanz Díaz's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
45%
Power
27%
Self
13%
Survival
9%
Society
5%
Sacrifice2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 1 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 3 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
3
Cold
1
Hopeful
1
Thrilling
1

How their films linger

Unsettling3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alberto Matesanz Díaz's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Alberto Matesanz Díaz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

  • Warlord(2025)

    Composer

    Midcredits score: 49th percentile of all films

  • Assassin's Guild(2024)

    Composer

    Midcredits score: 44th percentile of all films

  • Warchief(2024)

    Composer

    Midcredits score: 24th percentile of all films

  • The Stoic(2024)

    Composer

    Midcredits score: 31st percentile of all films

  • Roots (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 4 titles, 3 of them dated from 2024 to 2025.

Biggest box office

Warchief (2024)

$19K worldwide

Highest rated

Warlord (2025)

Midcredits 49th

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Alberto Matesanz Díaz's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 8th percentile for acclaim.

Acclaim · how much people like their films

8thpercentile
Typical film, the median of 4

Approval · how many liked their films

68thpercentile
Typical film, the median of 4

Reach · how many have seen their films

66thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th3
  • Below 25th1

Shape of the crowd

2 of their 4 titles are Divisive.

  • Divisive2
  • Mixed2

Most divisive · composer

Warchief (2024)

98th percentile spread · 50% rated it 4 or lower

Most loved · composer

Warlord (2025)

Midcredits 49th · 74% liked

Reviewers score the sound and music 47/100 in their films, across 3 reviewed titles; fans 59, detractors 30. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alberto Matesanz Díaz work with?

People who share at least 2 of Alberto Matesanz Díaz's MovieCove titles, grouped by what they did on them; Stuart Brennan shares the most, 3.

Directors

Actors

Cinematographers

Producers