- Cinematographer
- 12 on MovieCove · 20 credits in all
What are Massimiliano Kuveiller's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 3 · Dark 0
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
Gentle 3 · Charged 2 · Intense 0
Steady 5 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 1
Slow burn 5 · Even-paced 0 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Massimiliano Kuveiller's films?
As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Massimiliano Kuveiller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 12 with a MovieCove page.
Buen Camino(2025)
Midcredits score: 51st percentile of all films
Midcredits score: 90th percentile of all films
Diciannove(2024)
Midcredits score: 46th percentile of all films
Midcredits score: 11th percentile of all films
Finally Dawn(2023)
Midcredits score: 35th percentile of all films
With the Grace of a God (not in the MovieCove catalog yet)(2023)
Midcredits score: 60th percentile of all films
Beckett(2021)
Midcredits score: 28th percentile of all films
Diary of Love (not in the MovieCove catalog yet)(2021)
We Are Who We Are(2020)
Midcredits score: 65th percentile of all shows
Suspiria(2018)
Midcredits score: 74th percentile of all films
In viaggio con Adele (not in the MovieCove catalog yet)(2018)
The Ploy (not in the MovieCove catalog yet)(2016)
A Bigger Splash(2015)
Midcredits score: 61st percentile of all films
Pasolini(2014)
Midcredits score: 41st percentile of all films
Sun in Buckets (not in the MovieCove catalog yet)(2013)
Lost Kisses (not in the MovieCove catalog yet)(2011)
No Problem (not in the MovieCove catalog yet)(2008)
Midcredits score: 96th percentile of all films
St. Giuseppe Moscati: Doctor to the Poor (not in the MovieCove catalog yet)(2007)
Career shape
A full career of 20 titles from 2007 to 2025.
Biggest box office
Buen Camino (2025)
Highest rated
The Last One for the Road (2025)
Most popular right now
We Are Who We Are (2020)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Won a Venice award in 2023, Best Camera Operator.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Massimiliano Kuveiller's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 11; across their 5 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Broadly Agreed3
- Mixed4
Reviewers score the cinematography 75/100 in their films, across 4 reviewed titles; fans 81, detractors 50. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Massimiliano Kuveiller work with?
People who share at least 2 of Massimiliano Kuveiller's MovieCove titles, grouped by what they did on them; Luca Guadagnino shares the most, 3.
Directors
- Luca GuadagninoShared titles: Diciannove (2024), Salvatore: Shoemaker of Dreams (2020), We Are Who We Are (2020)See all 3 shared titles with Luca Guadagnino
- Gennaro NunzianteShared titles: Buen Camino (2025), I Am the End of the World (2025)See all 2 shared titles with Gennaro Nunziante
Editors
- Marco CostaShared titles: Diciannove (2024), We Are Who We Are (2020)See all 2 shared titles with Marco Costa
Producers
- Francesco Melzi d'ErilShared titles: Diciannove (2024), Salvatore: Shoemaker of Dreams (2020), We Are Who We Are (2020)See all 3 shared titles with Francesco Melzi d'Eril
- Chiara LeonardiShared titles: Buen Camino (2025), I Am the End of the World (2025)See all 2 shared titles with Chiara Leonardi
- Marco CohenShared titles: Buen Camino (2025), I Am the End of the World (2025)See all 2 shared titles with Marco Cohen
- Marco MorabitoShared titles: Diciannove (2024), We Are Who We Are (2020)See all 2 shared titles with Marco Morabito
