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What are Peter Hermann's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Power.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 7

Grounded 3 · Stylized 4 · Heightened 3

A split, not a type: Gentle 3 · Charged 2 · Intense 5

Steady 6 · Shifting 2 · Whiplash 2

Straight-faced 6 · Some laughs 4 · Funny 0

Slow burn 8 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 5 · Full focus 3

A split, not a type: Easy watch 2 · Affecting 2 · Heavy 6

Resolved 4 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Contemplative
7
Melancholic
3
Hopeful
3
Bittersweet
3
Other
7

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Tragic2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Hermann's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peter Hermann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Rose(2026)

    Producer

    Midcredits score: 94th percentile of all films
  • Kein Tier. So Wild.(2025)

    Producer

    Midcredits score: 56th percentile of all films
  • The Forger(2022)

    Producer

    Midcredits score: 50th percentile of all films
  • An Impossible Project(2020)

    Producer

    Midcredits score: 83rd percentile of all films
  • Midcredits score: 20th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Pina(2011)

    Producer

    Midcredits score: 95th percentile of all films
  • Womb(2010)

    Producer

    Midcredits score: 53rd percentile of all films
  • Enter the Void(2009)

    Producer

    Midcredits score: 87th percentile of all films
  • Paradise Now(2005)

    Producer

    Midcredits score: 91st percentile of all films

Career shape

Across their 10 MovieCove titles from 2005 to 2026.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score78th

By decade

2000s2 · crew2010s4 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Peter Hermann's films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 10

Approval · how many liked their films

80thpercentile
Typical film, the median of 10

Reach · how many have seen their films

89thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up5
  • 50th to 74th4
  • Below 25th1

Shape of the crowd

6 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser6
  • Broadly Agreed1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Hermann's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 48 · moderateMedian of all films: 32
Frightening / Intense3 titlesmedian 51 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Peter Hermann work with?

People who share at least 2 of Peter Hermann's MovieCove titles, grouped by what they did on them; Wim Wenders shares the most, 2.

Directors

Actors

Cinematographers and editors

Producers